"12 Variations on "Ein Mädchen oder Weibchen" from Mozart's Die Zauberflöte in F Major, Op. 66 : Variation XI. Poco Adagio, quasi Andante" by Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy was released on April 5, 2024. With 12 Variations on "Ein Mädchen oder Weibchen" from Mozart's Die Zauberflöte in F Major, Op. 66 : Variation XI. Poco Adagio, quasi Andante being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 14 out of 39 in Beethoven: Variations for violoncello and piano by Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy. Going off of the ISRC code of this track, we detected that the origin of this track is from South Korea. 12 Variations on "Ein Mädchen oder Weibchen" from Mozart's Die Zauberflöte in F Major, Op. 66 : Variation XI. Poco Adagio, quasi Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 12 Variations on "Ein Mädchen oder Weibchen" from Mozart's Die Zauberflöte in F Major, Op. 66 : Variation XI. Poco Adagio, quasi Andante by Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norwegian Peasant Dances, Op. 72: No. 10, Knut Luråsens halling I. Moderato | Edvard Grieg, Rune Alver | F Major | 0 | 7B | 87 BPM | ||
Das listige Bauernmädchen: No. 9, Allegro non troppo | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Violin Sonata No. 10 in G Major, Op. 96: IV. Poco Allegretto | Ludwig van Beethoven, Antje Weithaas, Dénes Várjon | G Major | 1 | 9B | 180 BPM | ||
Carnaval, Op.9: 1. Préambule | Robert Schumann, Daniel Barenboim | A♭ Major | 2 | 4B | 150 BPM | ||
Theme and Variations, Op. 72: Var. 11. Allegretto | Alexander Glazunov, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
“Prussian Sonata” No. 2 in B-flat Major, Wq. 48/2: III. Allegro assai | Carl Philipp Emanuel Bach, Einav Yarden | B♭ Major | 2 | 6B | 157 BPM | ||
When First My Old, Old Love I Knew | Olive the Otter Dog | F Major | 1 | 7B | 112 BPM | ||
24 Preludes and Fugues, Op. 87: Prelude No. 8 in F-Sharp Minor: Allegretto | Dmitri Shostakovich, Konstantin Scherbakov | B♭ Major | 2 | 6B | 74 BPM | ||
Sonata No. 4 “Swing Nostalgie”: III. Scherzo | Jean-Paul Liardet, Olga Riazantceva-Schwarz | A Major | 2 | 11B | 101 BPM | ||
ピアノ・ソナタ 第8番 ハ短調 作品13¢悲愴》第二楽章 | Irina Mejoueva | A♭ Major | 0 | 4B | 70 BPM |
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