George Crumb, Cuarteto Latinoamericano, Carnegie Mellon Philharmonic Orchestra, Juan Pablo Izquierdo's 'Black Angels, 13 Images from the Dark Land, Pt. 2 "Absence" (Arr. J.P. Izquierdo for String Quartet & Orchestra): No. 8, Sarabanda de la Muerte Oscura' came out on October 3, 2006. With Black Angels, 13 Images from the Dark Land, Pt. 2 "Absence" (Arr. J.P. Izquierdo for String Quartet & Orchestra): No. 8, Sarabanda de la Muerte Oscura being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 13 out of 18 in Crumb: Black Angels & Music for a Summer Evening "Makrokosmos III" by George Crumb, Cuarteto Latinoamericano, Carnegie Mellon Philharmonic Orchestra, Juan Pablo Izquierdo. In terms of popularity, Black Angels, 13 Images from the Dark Land, Pt. 2 "Absence" (Arr. J.P. Izquierdo for String Quartet & Orchestra): No. 8, Sarabanda de la Muerte Oscura is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Black Angels, 13 Images from the Dark Land, Pt. 2 "Absence" (Arr. J.P. Izquierdo for String Quartet & Orchestra): No. 8, Sarabanda de la Muerte Oscura by George Crumb, Cuarteto Latinoamericano, Carnegie Mellon Philharmonic Orchestra, Juan Pablo Izquierdo is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Pieces for String Quartet: No. 2, Alla serenate | Erwin Schulhoff, Orava Quartet | D♭ Minor | 0 | 12A | 115 BPM | ||
Métaboles: IV. Torpide | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
Eco 1 Fantastico Eleven Echoes Of Autumn (Echoes I) | George Crumb, Ensemble für Neue Musik Zürich | B♭ Minor | 4 | 3A | 87 BPM | ||
6 Chansons: No. 2. J'avais un amour autrefois… (I had a love in the past) | Iannis Xenakis, Stephanos Thomopoulos | D Major | 3 | 10B | 142 BPM | ||
Ligeti : Ramifications for 12 solo strings | György Ligeti, Reinbert de Leeuw, Asko Ensemble | A Major | 0 | 11B | 59 BPM | ||
Vocalise (…For The Beginning Of Time On Sea-Time) Vox Balaenae | George Crumb, Ensemble für Neue Musik Zürich | C Minor | 0 | 5A | 147 BPM | ||
Fear | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
Symphony, Op. 20: VII. Temps suspendu | Thomas Hyde, BBC Scottish Symphony Orchestra, Geoffrey Paterson | C Major | 0 | 8B | 132 BPM | ||
Cuatro Estaciones Porteñas: III. Primavera Porteña - Arr. for Cello and String Orchestra by L. Desyatnikov | Astor Piazzolla, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov | E♭ Major | 2 | 5B | 117 BPM | ||
Alchymia: II. The Woods So Wild | Thomas Adès, Mark Simpson, Quatuor Diotima | C Major | 1 | 8B | 78 BPM |
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