Orchestral Suite No. 2 in B minor, BWV 1067: Rondeau - Sarabande - Bourrées I & II - Johann Sebastian Bach, Philip Ledger, English Chamber Orchestra Information

Acousticness: 88%
Danceability: 31%
Energy: 15%
Instrumentalness: 2%
Liveness: 18%
Loudness: 64%
Speechiness: 4%
Valence: 30%
Popularity: 0%
Loudness: -21.555 dB

Summary

Johann Sebastian Bach, Philip Ledger, English Chamber Orchestra's 'Orchestral Suite No. 2 in B minor, BWV 1067: Rondeau - Sarabande - Bourrées I & II' came out on 2006. Since Orchestral Suite No. 2 in B minor, BWV 1067: Rondeau - Sarabande - Bourrées I & II is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 100 in Alle 100 Goed: Bach by Johann Sebastian Bach, Various Artists. Based on our statistics, Orchestral Suite No. 2 in B minor, BWV 1067: Rondeau - Sarabande - Bourrées I & II's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Orchestral Suite No. 2 in B minor, BWV 1067: Rondeau - Sarabande - Bourrées I & II BPM

The tempo marking of Orchestral Suite No. 2 in B minor, BWV 1067: Rondeau - Sarabande - Bourrées I & II by Johann Sebastian Bach, Philip Ledger, English Chamber Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.

Orchestral Suite No. 2 in B minor, BWV 1067: Rondeau - Sarabande - Bourrées I & II Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen	Robert Schumann, Martha Argerich	G Major	0	9B	128 BPM
Sonata in G Major, K 13 (L 486)	Domenico Scarlatti, Glenn Gould	G Major	3	9B	101 BPM
Come, Sweet Death (Arr. for 5 Cellos)	Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi	C Minor	1	5A	88 BPM
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	C Major	3	8B	108 BPM
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio	Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment	D♭ Minor	1	12A	133 BPM
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: II. Adagio	Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans, Anne-Katharina Schreiber, Gottfried Von Der Goltz	B♭ Minor	1	3A	69 BPM
Goldberg Variations, BWV 988: Aria	Johann Sebastian Bach, Glenn Gould	A♭ Major	0	4B	123 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	60 BPM
Sonata in E Major, Kk. 20: Presto	Domenico Scarlatti, Ivo Pogorelich	E Major	0	12B	130 BPM
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski)	George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier	C Major	0	8B	92 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7836310863494873

End: 0.7871506214141846