"Birtwistle: Tragoedia: VI. Exodos" by Harrison Birtwistle, Melos Ensemble, Lawrence Foster was released on February 21, 2011. The duration of Birtwistle: Tragoedia: VI. Exodos is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Birtwistle: Tragoedia: VI. Exodos's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Melos Ensemble's "Icon: Melos Ensemble" album is number 17 out of 151. On top of that, United Kingdom appears to be the country where this track was created. Birtwistle: Tragoedia: VI. Exodos is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Birtwistle: Tragoedia: VI. Exodos by Harrison Birtwistle, Melos Ensemble, Lawrence Foster to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 in A Minor, Op. 41 No. 1: III. Adagio | Robert Schumann, Quatuor Hanson | E♭ Major | 4 | 5B | 109 BPM | ||
Concerto pour violon et orchestre: III. Intermezzo: Presto fluido | György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Hae-Sun Kang | B Minor | 0 | 10A | 134 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 2: I see not those false spirits | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
Altar de cuerda: I. Morisco chilango | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, María Dueñas | B♭ Major | 5 | 6B | 129 BPM | ||
On an Overgrown Path, Series I: I. Our evenings | Leoš Janáček, Dirk Luijmes | G Major | 0 | 9B | 114 BPM | ||
Lux Aeterna: I. Andante misterioso | Rihards Dubra, Saxtett | G Major | 0 | 9B | 66 BPM | ||
Spring Symphony, Op. 44, Part I: Spring, the Sweet Spring (soprano, alto, tenor, chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus | D Major | 2 | 10B | 148 BPM | ||
Messiaen: Éclairs sur l'au-delà...: X. Le chemin de l'invisible | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | A Major | 0 | 11B | 84 BPM | ||
Nine Settings Of Lorine Niedecker (For Soprano And Violoncello): Paul | Harrison Birtwistle, Adrian Brendel, Amy Freston | D♭ Major | 0 | 3B | 133 BPM | ||
Orbits for Clarinet Solo: I. First Movement | Charles Camilleri, David Campbell, Godfrey Mifsud, Susanne Stanzeleit, Julian Jacobson | D Minor | 0 | 7A | 75 BPM |
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