Johann Sebastian Bach, Carmel Kaine, Tess Miller, Academy of St. Martin in the Fields, Sir Neville Marriner made "Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Arr. Hogwood for Violin, Oboe & Strings: 3. Allegro" available on December 4, 1975. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 9 in Bach, J.S.: Concertos for Violin & Flute by Johann Sebastian Bach, Carmel Kaine, William Bennett, Academy of St. Martin in the Fields, Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Arr. Hogwood for Violin, Oboe & Strings: 3. Allegro is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Arr. Hogwood for Violin, Oboe & Strings: 3. Allegro by Johann Sebastian Bach, Carmel Kaine, Tess Miller, Academy of St. Martin in the Fields, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto Grosso In F Minor, Op. 1, No. 8: I. Largo - Grave - Vivace - Grave | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 117 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Brandenburg Concerto No. 5 in D Major, BWV 1050: 1. Allegro | Johann Sebastian Bach, Henryk Szeryng, Jean-Pierre Rampal, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 3 | 10B | 90 BPM | ||
Largo (Concierto Para Mandolina Do Mayor) | Cámara de la Escala De Milan | A♭ Minor | 2 | 1A | 93 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): III. Siciliana | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | A Minor | 0 | 8A | 77 BPM | ||
Coffee Cantata, BWV 211: Aria: Heute noch | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett Polegato | F♯ Major | 1 | 2B | 120 BPM | ||
Brandenburg Concerto No. 2 In F Major, Bwv 1047: II. Andante | Cologne Chamber Orchestra, Johann Sebastian Bach | D Minor | 1 | 7A | 124 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 2 | 7B | 198 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM |
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