Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): III. Siciliana - Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward Information

Acousticness: 94%
Danceability: 9%
Energy: 2%
Instrumentalness: 81%
Liveness: 7%
Loudness: 47%
Speechiness: 5%
Valence: 7%
Popularity: 3%
Loudness: -31.721 dB

Summary

"Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): III. Siciliana" by Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward was released on November 19, 1996. The duration of Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): III. Siciliana is about 3 minutes long, at 3:00. Based on our data, "Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): III. Siciliana" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in City of London Sinfonia's "Italian Oboe Concertos, Vol. 1" album is number 3 out of 18. Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): III. Siciliana is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): III. Siciliana BPM

We consider the tempo marking of Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): III. Siciliana by Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): III. Siciliana Key

A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro	Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek	E Minor	2	9A	102 BPM
Concerto for 2 Oboes in C Major, RV 534: II. Largo	Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy	C Major	2	8B	125 BPM
Overture (Suite) In C Major, TWV 55: C6: IV. Bouree En Trompette	Cologne Chamber Orchestra, Georg Philipp Telemann	C Major	4	8B	119 BPM
Cello Concerto in C Minor, RV 401: II. Adagio	Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer	A Minor	1	8A	83 BPM
Oboe Concerto in A Major (arr. J. Barbirolli): II. Allemande	Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward	F Major	1	7B	103 BPM
Concerto for Recorder in C Major, Op.44 No.11	Michel Sanvoisin, Orchestre De Chambre De Toulouse, Louis Auriacombe	C Major	2	8B	117 BPM
Telemann: Concerto for four violins - Allegro	Charivari Agréable	F♯ Major	1	2B	131 BPM
Concerto a 5 in G Major, Op. 9, No. 6: II. Adagio non troppo	Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis	E Minor	2	9A	83 BPM
Trio Sonata in G Minor: II. Allegro un poco	Johann Friedrich Fasch, Danubius Ensemble	C Minor	2	5A	122 BPM
Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio	Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek	C Major	2	8B	141 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6624033451080322

End: 0.665473461151123