Orfeo ed Euridice / Act 3: Gaudio, gaudio son al cuore
Christoph Willibald Gluck, Marilyn Horne, Helen Donath, Pilar Lorengar, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti
Gluck: Orfeo ed Euridice
2:33 January 1, 1970
BPM
88
Key
E Major
Camelot
12B

Embed

Share Link

Orfeo ed Euridice / Act 3: Gaudio, gaudio son al cuore - Christoph Willibald Gluck, Marilyn Horne, Helen Donath, Pilar Lorengar, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti Information

Acousticness
97%
Danceability
31%
Energy
27%
Instrumentalness
0%
Liveness
63%
Loudness
70%
Speechiness
7%
Valence
33%
Popularity
Loudness
-18.079 dB

Summary

Christoph Willibald Gluck, Marilyn Horne, Helen Donath, Pilar Lorengar, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti's 'Orfeo ed Euridice / Act 3: Gaudio, gaudio son al cuore' came out on January 1, 1970. The duration of Orfeo ed Euridice / Act 3: Gaudio, gaudio son al cuore is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Orfeo ed Euridice / Act 3: Gaudio, gaudio son al cuore's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, Marilyn Horne, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti's "Gluck: Orfeo ed Euridice" album is number 12 out of 25. Orfeo ed Euridice / Act 3: Gaudio, gaudio son al cuore is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Orfeo ed Euridice / Act 3: Gaudio, gaudio son al cuore BPM

We consider the tempo marking of Orfeo ed Euridice / Act 3: Gaudio, gaudio son al cuore by Christoph Willibald Gluck, Marilyn Horne, Helen Donath, Pilar Lorengar, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Orfeo ed Euridice / Act 3: Gaudio, gaudio son al cuore Key

E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) by Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut HöllWinterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl)Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut HöllA Major011B119 BPM
Gavotte (Paride ed Elena) by Christoph Willibald Gluck, Johannes Brahms, Matti RaekallioGavotte (Paride ed Elena)Christoph Willibald Gluck, Johannes Brahms, Matti RaekallioA Major011B98 BPM
Nocturne No. 1 in E Flat Major, H.24 by John Field, Elizabeth Joy RoeNocturne No. 1 in E Flat Major, H.24John Field, Elizabeth Joy RoeE♭ Major05B75 BPM
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance by Dmitri Shostakovich, Tasmin Little, Piers LaneShostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. RomanceDmitri Shostakovich, Tasmin Little, Piers LaneC Major18B175 BPM
Schwanengesang, D. 957: Ständchen Schwanengesang, D. 957: Ständchen "Leise flehen meine Lieder"Franz Schubert, Mischa Maisky, Daria HovoraD Minor07A179 BPM
Rigaudons I, II & Double by Jean-Philippe Rameau, Víkingur ÓlafssonRigaudons I, II & DoubleJean-Philippe Rameau, Víkingur ÓlafssonE Major312B106 BPM
Orfeo ed Euridice, Act II Scene 2: Ballet Music, Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff)Wilhelm Kempff, Christoph Willibald Gluck, Idil BiretF Major07B81 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro by Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella IstropolitanaConcerto Grosso In D Major, Op. 6, No. 1 : IV. AllegroArcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella IstropolitanaD Major310B129 BPM
Lyric Pieces Book IV, Op. 47: No. 3 Melodie by Edvard Grieg, Emil GilelsLyric Pieces Book IV, Op. 47: No. 3 MelodieEdvard Grieg, Emil GilelsD Minor07A73 BPM
Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble) by Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, CellistsGypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble)Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, CellistsD Major110B125 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8556985855102539

End: 0.8603706359863281