Leo Slezak made "Wohin? (Ich Hört Ein Bächlein Rauschen), Die Schöne Müllerin Op. 25 D 795 Nr. 1-20 (Liederzyklus N...)" available on May 5, 2010. The duration of Wohin? (Ich Hört Ein Bächlein Rauschen), Die Schöne Müllerin Op. 25 D 795 Nr. 1-20 (Liederzyklus N...) is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Wohin? (Ich Hört Ein Bächlein Rauschen), Die Schöne Müllerin Op. 25 D 795 Nr. 1-20 (Liederzyklus N...)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leo Slezak's "Musikalische Erinnerungen Zum 50.Todestag" album is number 11 out of 22. Wohin? (Ich Hört Ein Bächlein Rauschen), Die Schöne Müllerin Op. 25 D 795 Nr. 1-20 (Liederzyklus N...) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Wohin? (Ich Hört Ein Bächlein Rauschen), Die Schöne Müllerin Op. 25 D 795 Nr. 1-20 (Liederzyklus N...) by Leo Slezak to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La forza del destino, Act III, Scene II: Solenne in quest'ora | Giuseppe Verdi, Andrea Bocelli, Simone Piazzola, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Major | 2 | 8B | 87 BPM | ||
Gedichte von Joseph V. Eichendorff: No. 3. Verschwiegene Liebe | Hugo Wolf, Leo Slezak, Studio pianist | F Minor | 1 | 4A | 79 BPM | ||
Offenbach: La vie parisienne, Act 4: Finale. "Par nos chansons et par nos cris, célébrons Paris" (Chœur, Gabrielle, Le Baron, La Baronne, Bobinet, Gardefeu, Le Brésilien, Urbain, Métella) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Mady Mesple, Michel Jarry, Michel Sénéchal, Michel Trempont, Régine Crespin, Orchestre Du Capitole De Toulouse | G Major | 4 | 9B | 88 BPM | ||
Las Golondrinas, Escena 2ª: "Caminar" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | G Major | 1 | 9B | 60 BPM | ||
Truth | Karl Jenkins, Lucy Crowe, Krzysztof Wisniewski, Pablo de Leon, Shoshana Sievers, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | C Major | 2 | 8B | 79 BPM | ||
L'Africaine: Land so wunderbar (Vasco) | Giacomo Meyerbeer, Leo Slezak, Eduard Kunneke Orchestra, Eduard Künneke | F Major | 2 | 7B | 131 BPM | ||
Herbstmanover: Auf der Heide bluh'n die letzten Rosen | Robert Stolz, Jupp Hussels, Leo Slezak, Studio Orchestra, Walter Schütze | E Major | 1 | 12B | 57 BPM | ||
Lakmé / Flower Duet: Dôme épais le jasmin ... Sous le dôme épais | Léo Delibes, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | F Major | 1 | 7B | 82 BPM | ||
Dass nur für mich dein Herz erbebt (Der Troubadour) | Leo Slezak | D♭ Major | 2 | 3B | 80 BPM |
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