"L'Africaine: Land so wunderbar (Vasco)" by Giacomo Meyerbeer, Leo Slezak, Eduard Kunneke Orchestra, Eduard Künneke was released on January 1, 2000. The duration of L'Africaine: Land so wunderbar (Vasco) is about 3 minutes long, at 3:12. Based on our data, "L'Africaine: Land so wunderbar (Vasco)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Slezak, Leo: Opera Arias". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. Based on our statistics, L'Africaine: Land so wunderbar (Vasco)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'Africaine: Land so wunderbar (Vasco) by Giacomo Meyerbeer, Leo Slezak, Eduard Kunneke Orchestra, Eduard Künneke having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Hungarian Dance No.3 In F Major, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 77 BPM | ||
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": III. Adagio | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | A Major | 0 | 11B | 69 BPM | ||
Piano Quintet in A Major, D. 667, Op. 114 "Trout": V. Allegro giusto | Franz Schubert, L'Archibudelli | A Major | 1 | 11B | 82 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": II. Andante con moto | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 70 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.6 in D Major (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D Major | 1 | 10B | 110 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Das listige Bauernmädchen: No. 16a, Allegro non troppo | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Khachaturian: Violin Concerto in D Minor: III. Allegro vivace | Aram Khachaturian, Itzhak Perlman, Zubin Mehta, Israel Philharmonic Orchestra | D Major | 3 | 10B | 156 BPM | ||
La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 2 | 11B | 111 BPM |
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