"Mal d'amore" by Arturo Buzzi-Peccia, Joseph Schmidt, Staatskapelle Berlin, Selmar Meyrowitz was released on December 11, 2007. The duration of Mal d'amore is about 3 minutes long, at 3:09. Based on our data, "Mal d'amore" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 47 in the song's album "Schmidt, Joseph: Arias and Songs (1929-36)". In this album, this song's track order is #23. The popularity of Mal d'amore is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mal d'amore by Arturo Buzzi-Peccia, Joseph Schmidt, Staatskapelle Berlin, Selmar Meyrowitz having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Zweiter Akt: Tanzen möcht' ich - Tausend kleine Engel singen (Sylva - Edwin) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | D Major | 3 | 10B | 93 BPM | ||
Lolita, "Spanish Serenade" | Arturo Buzzi-Peccia, Giuseppe Bellantoni, Artist Unknown | C Major | 4 | 8B | 104 BPM | ||
I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
Carmen, Act I: No.3 bis Récit: C'est bien là, n'est-ce pas? (Zuniga/Don José) | Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 1 | 9B | 84 BPM | ||
Arrivederci Roma | Renato Rascel, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma | B♭ Major | 1 | 6B | 85 BPM | ||
Core 'ngrato (Arr, Schifrin) - Live | Salvatore Cardillo, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine | E♭ Major | 2 | 5B | 76 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 7: No. 7, Duo, "Parle-moi de ma mère" (Micaëla, Don José) | Georges Bizet, Roberto Alagna, Michel Plasson, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 87 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Core 'ngrato (Arr. Milner) | Salvatore Cardillo, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | E♭ Major | 2 | 5B | 74 BPM | ||
Wagner: Tannhäuser, Act 3: "Wie Todesahnung … O du, mein holder Abendstern" (Wolfram) | Richard Wagner, Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny, Staatsopernorchester Berlin | C Minor | 3 | 5A | 133 BPM |
Section: 0.6254842281341553
End: 0.6301062107086182