"Two Love Songs, Op. 30: Love My Heart Longs Day and Night" by Darius Milhaud, Jodie Devos, Nicolas Krüger had its release date on February 19, 2021. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Two Love Songs, Op. 30: Love My Heart Longs Day and Night's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 25 in And Love Said... by Nicolas Krüger, Jodie Devos. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Two Love Songs, Op. 30: Love My Heart Longs Day and Night is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Two Love Songs, Op. 30: Love My Heart Longs Day and Night by Darius Milhaud, Jodie Devos, Nicolas Krüger is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Porgy and Bess (arr. J. Heifetz for violin and piano): III. It Aint Necessarily So | Jascha Heifetz, George Gershwin, Matthew Trusler, Wayne Marshall | D Minor | 3 | 7A | 66 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | C Major | 8 | 8B | 176 BPM | ||
Clarinet Concerto No. 1 in C Minor, Op. 26: II. Adagio | Louis Spohr, Karl Leister, Radio Sinfonieorchester Stuttgart des SWR, Rafael Frühbeck de Burgos | A♭ Major | 0 | 4B | 73 BPM | ||
Concerto in F: 3. Allegro agitato | George Gershwin, Riccardo Chailly, Stefano Bollani, Gewandhausorchester | B♭ Major | 3 | 6B | 139 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Alborada del gracioso, M. 43: Assez vif | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D Major | 1 | 10B | 121 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Act III: « Io, jeunes dieux, quoi, les vieilles lois, c’est ainsi que vous marchez sur elles ! » | Darius Milhaud, Charles Bruck, Genevieve Moizan, Irma Kolassi, Xavier Depraz | C Major | 2 | 8B | 97 BPM |