On June 20, 2006, the song "Mozart: Piano Sonata No. 16 in C Major, K. 545 "Semplice": III. Rondo. Allegretto" was released by Wolfgang Amadeus Mozart, Karl Engel. With Mozart: Piano Sonata No. 16 in C Major, K. 545 "Semplice": III. Rondo. Allegretto being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Various Artists's "Mozart : Piano Works & Violin Sonatas" album is number 48 out of 139. In terms of popularity, Mozart: Piano Sonata No. 16 in C Major, K. 545 "Semplice": III. Rondo. Allegretto is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mozart: Piano Sonata No. 16 in C Major, K. 545 "Semplice": III. Rondo. Allegretto by Wolfgang Amadeus Mozart, Karl Engel to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in D, K.250 "Haffner": 4. Rondo (Allegro) | Wolfgang Amadeus Mozart, Iona Brown, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 141 BPM | ||
Concerto for Flute, Harp, and Orchestra in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Susan Palma-Nidel, Nancy Allen, Orpheus Chamber Orchestra | F Major | 1 | 7B | 115 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Minor | 0 | 12A | 106 BPM | ||
Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM |
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