Serenade in D, K.250 "Haffner": 4. Rondo (Allegro)
Wolfgang Amadeus Mozart, Iona Brown, Academy of St. Martin in the Fields, Sir Neville Marriner
Mozart: The Great Serenades
7:20 January 1, 1999
BPM
141
Key
G Major
Camelot
9B

Embed

Share Link

Serenade in D, K.250 "Haffner": 4. Rondo (Allegro) - Wolfgang Amadeus Mozart, Iona Brown, Academy of St. Martin in the Fields, Sir Neville Marriner Information

Acousticness
95%
Danceability
39%
Energy
14%
Instrumentalness
46%
Liveness
17%
Loudness
61%
Speechiness
4%
Valence
39%
Popularity
Loudness
-23.357 dB

Summary

Wolfgang Amadeus Mozart, Iona Brown, Academy of St. Martin in the Fields, Sir Neville Marriner's 'Serenade in D, K.250 "Haffner": 4. Rondo (Allegro)' came out on January 1, 1999. Since Serenade in D, K.250 "Haffner": 4. Rondo (Allegro) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner's "Mozart: The Great Serenades" album is number 8 out of 25. Based on our statistics, Serenade in D, K.250 "Haffner": 4. Rondo (Allegro)'s popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Serenade in D, K.250 "Haffner": 4. Rondo (Allegro) BPM

We consider the tempo marking of Serenade in D, K.250 "Haffner": 4. Rondo (Allegro) by Wolfgang Amadeus Mozart, Iona Brown, Academy of St. Martin in the Fields, Sir Neville Marriner to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.

Serenade in D, K.250 "Haffner": 4. Rondo (Allegro) Key

The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
The Can Can by Jacques Offenbach, Philharmonia Orchestra, Sir Neville MarrinerThe Can CanJacques Offenbach, Philharmonia Orchestra, Sir Neville MarrinerD Major710B82 BPM
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace by Louise Farrenc, Consortium ClassicumNonet in E-Flat Major, Op. 38: III. Scherzo. VivaceLouise Farrenc, Consortium ClassicumC Major08B79 BPM
Concerto in D Minor for Two Violins, BWV 1043: Vivace by Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm SargentConcerto in D Minor for Two Violins, BWV 1043: VivaceJohann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm SargentA Minor28A94 BPM
Requiem In D Minor, K. 626: Sequence: I. Dies Irae by Slovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus MozartRequiem In D Minor, K. 626: Sequence: I. Dies IraeSlovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus MozartG Minor36A79 BPM
Les plaisirs: Sarabande by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonLes plaisirs: SarabandeJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonF♯ Minor011A144 BPM
Mendelssohn: String Octet in E-Flat Major, Op. 20, MWV R20: III. Scherzo. Allegro leggierissimo by Felix Mendelssohn, Sir Neville Marriner, Academy of St. Martin in the FieldsMendelssohn: String Octet in E-Flat Major, Op. 20, MWV R20: III. Scherzo. Allegro leggierissimoFelix Mendelssohn, Sir Neville Marriner, Academy of St. Martin in the FieldsD Major110B123 BPM
Piano Concerto No. 2 in B Flat Major, Op. 19: II. Adagio by Ludwig van Beethoven, Krystian Zimerman, London Symphony Orchestra, Sir Simon RattlePiano Concerto No. 2 in B Flat Major, Op. 19: II. AdagioLudwig van Beethoven, Krystian Zimerman, London Symphony Orchestra, Sir Simon RattleE♭ Major05B71 BPM
Piano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile con espressione by Wolfgang Amadeus Mozart, Glenn GouldPiano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile con espressioneWolfgang Amadeus Mozart, Glenn GouldF Major17B77 BPM
Il barbiere di Siviglia: Overture (Sinfonia) by Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville MarrinerIl barbiere di Siviglia: Overture (Sinfonia)Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville MarrinerE Major112B92 BPM
Ein Sommernachtstraum (A Midsummer's Night Dream): VI. Notturno by Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe HerrewegheEin Sommernachtstraum (A Midsummer's Night Dream): VI. NotturnoFelix Mendelssohn, Orchestre des Champs-Élysées, Philippe HerrewegheE Major012B89 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.0421242713928223

End: 1.0464539527893066