"Christus, Der Uns Selig Macht, Johannes Passion Bwv 245" by Nicol Matt, Nordic Chamber Choir, Martina Rotbauer, Jens Wollenschläger, Soloists Of The Freiburger Barockorchester, Jörg Halobek, Robert Sagasser, Heike Hümmer, Johann Sebastian Bach, Ute Petersilge was released on March 28, 2007. With Christus, Der Uns Selig Macht, Johannes Passion Bwv 245 being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Christus, Der Uns Selig Macht, Johannes Passion Bwv 245 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Christus, Der Uns Selig Macht, Johannes Passion Bwv 245 by Nicol Matt, Nordic Chamber Choir, Martina Rotbauer, Jens Wollenschläger, Soloists Of The Freiburger Barockorchester, Jörg Halobek, Robert Sagasser, Heike Hümmer, Johann Sebastian Bach, Ute Petersilge is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aria for Five Voices: Komm, Jesu, komm | Johann Schelle, Dorothee Mields, Kirsten Witmer, Damien Guillon, Thomas Hobbs, Peter Kooij, Philippe Herreweghe, Collegium Vocale Gent | A Major | 1 | 11B | 83 BPM | ||
Allein zu dir, Herr Jesu Christ | Johann Pachelbel, Dieter Glös | B♭ Major | 0 | 6B | 62 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 180 BPM | ||
Laudate Pueri: VIII. Sicut erat | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Missa Divi Xaverii, ZWV 12: Kyrie eleison I | Jan Dismas Zelenka, Hana Blaziková, Lucille Richardot, Václav Čížek, Stephan MacLeod, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | A♭ Major | 1 | 4B | 93 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 7, "Wohl schön bewandt" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | F Minor | 1 | 4A | 105 BPM | ||
Messa Delli Apostoli: Kyrye II | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Christus, Der Uns Selig Macht Bwv 283 | Nicol Matt, Jens Wollenschläger, Johann Sebastian Bach, Nordic Chamber Choir, Ute Petersilge, Heike Hümmer, Martina Rotbauer, Soloists Of The Freiburger Barockorchester, Jörg Halobek, Robert Sagasser | D♭ Minor | 0 | 12A | 169 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: Orpheus could lead the savage race | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM |
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