"4 Pieces, Op. 7: II. Rasch" by Anton Webern, Jesse Mills, Christopher Oldfather was released on January 2, 2005. With 4 Pieces, Op. 7: II. Rasch being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Webern, A.: Symphony / 6 Pieces, Op. 6 / Concerto by Anton Webern, Robert Craft. The song's track number on the album is #28 out of 42 tracks. 4 Pieces, Op. 7: II. Rasch is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 4 Pieces, Op. 7: II. Rasch by Anton Webern, Jesse Mills, Christopher Oldfather has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 4 Pieces, Op. 7: II. Rasch being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonietta: 2. Andante - Allegretto - Maestoso - Tempo I - Allegretto | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | A♭ Minor | 2 | 1A | 144 BPM | ||
String Quartet in G Minor, Op. 10, L. 85: II. Assez vif et bien rythmé | Claude Debussy, Juilliard String Quartet | C Minor | 2 | 5A | 108 BPM | ||
Officium breve in memoriam Andreae Szervánszky, Op. 28: 15. Arioso interrotto (di Endre Szervánszky) Larghetto | György Kurtág, Parker Quartet | C Major | 0 | 8B | 176 BPM | ||
Bartók: String Quartet No. 3 in C-Sharp Minor, Sz. 85: I. Prima parte. Moderato | Béla Bartók, Belcea Quartet | B♭ Minor | 1 | 3A | 89 BPM | ||
Leocadia, FP 106: Very Calm | Francis Poulenc, Ronald Van Spaendonck, Alexandre Tharaud, Danielle Darrieux, Laurent Lefèvre, Stéphane Logerot, Thibault Vieux | D Major | 1 | 10B | 174 BPM | ||
String Quartet No. 2 | Sofia Gubaidulina, Stamic Quartet | D Major | 0 | 10B | 77 BPM | ||
Le tombeau de Couperin (arr. Z. Kocsis): II. Fugue: Allegro moderato (arr. for orchestra) | Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic | E Minor | 0 | 9A | 82 BPM | ||
Six Pieces for Orchestra, Op. 6 - Original Version (1909): II. Bewegt | Anton Webern, Berliner Philharmoniker, Pierre Boulez | B♭ Minor | 1 | 3A | 134 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
Préludes / Book 1, L.117: 1. Danseuses de Delphes | Claude Debussy, Pierre-Laurent Aimard | F Major | 0 | 7B | 92 BPM |
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