- BPM
- 71
- Key
- F♯ Major
- Camelot
- 2B
Rigoletto: La donna è mobile - Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Giorgio Casciarri, Marco Pauluzzo, Paolo Lovera Information
- Acousticness
- 98%
- Danceability
- 39%
- Energy
- 12%
- Instrumentalness
- 0%
- Liveness
- 8%
- Loudness
- 73%
- Speechiness
- 5%
- Valence
- 48%
- Popularity
- 3%
- Loudness
- -16.051 dB
Summary
Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Giorgio Casciarri, Marco Pauluzzo, Paolo Lovera made "Rigoletto: La donna è mobile" available on May 15, 2012. The duration of Rigoletto: La donna è mobile is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Rigoletto: La donna è mobile's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 55 in the song's album "Ultimate Opera Collection: Greatest Arias of All Time". In this album, this song's track order is #5. Rigoletto: La donna è mobile is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Rigoletto: La donna è mobile BPM
With Rigoletto: La donna è mobile by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Giorgio Casciarri, Marco Pauluzzo, Paolo Lovera having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Rigoletto: La donna è mobile Key
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Serenade No. 5, Op. 3 | The Jane Austen Era | G Major | 1 | 9B | 95 BPM | |
 | Storia di un impiegato | Nicola Piovani | E Minor | 3 | 9A | 103 BPM | |
 | Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | |
 | Hungarian Rhapsody No. 2 in C sharp minor, S.244 | David Helfgott | D♭ Major | 3 | 3B | 102 BPM | |
 | Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM | |
 | Douze études, Op. 25: No. 1 in A-Flat Major "Aeolian Harp" | Giovanni Umberto Battel | A♭ Major | 0 | 4B | 94 BPM | |
 | Tchaikovsky: Suite from Swan Lake, Op. 20a: I. Scene. Moderato | Pyotr Ilyich Tchaikovsky, Alexander Lazarev, The Bolshoi Symphony Orchestra | A♭ Minor | 3 | 1A | 79 BPM | |
 | Bagatelle No. 25 in a Minor, WoO 59 : "Für Elise" | Rik | D♭ Major | 0 | 3B | 64 BPM | |
 | Liebestraum No. 3 in A-Flat Major, S. 541/3 | Franz Liszt, Van Cliburn | A♭ Major | 1 | 4B | 79 BPM | |
 | Heart Of Snow | Giovanni Allevi | D Major | 3 | 10B | 83 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6560585498809814
End: 0.6615040302276611