"Studies on Chopin's Etudes: No. 28 in F Minor on Etude, Op. 25 No. 2 (3rd Version B)" by Leopold Godowsky, Marc-André Hamelin was released on March 1, 2000. The duration of Studies on Chopin's Etudes: No. 28 in F Minor on Etude, Op. 25 No. 2 (3rd Version B) is about 3 minutes long, at 3:01. Based on our data, "Studies on Chopin's Etudes: No. 28 in F Minor on Etude, Op. 25 No. 2 (3rd Version B)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leopold Godowsky, Marc-André Hamelin's "Godowsky: The Complete Studies on Chopin's Etudes" album is number 5 out of 54. On top of that, United Kingdom appears to be the country where this track was created. Studies on Chopin's Etudes: No. 28 in F Minor on Etude, Op. 25 No. 2 (3rd Version B) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Studies on Chopin's Etudes: No. 28 in F Minor on Etude, Op. 25 No. 2 (3rd Version B) by Leopold Godowsky, Marc-André Hamelin to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): III. Courante | Johann Sebastian Bach, Leopold Godowsky, Roberto Cominati | D Minor | 2 | 7A | 104 BPM | ||
Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Orchestra) [Live] | Jascha Heifetz, Leopold Godowsky, Bell Telephone Hour Orchestra, Unknown Artist, Donald Voorhees | C Minor | 2 | 5A | 99 BPM | ||
10 Preludes, Op. 23: No. 5. Alla marcia in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 2 | 6A | 106 BPM | ||
Salut d'amour, Op. 12 (Arr. Viola & Piano) | Edward Elgar, Nobuko Imai, Roland Pöntinen | D Major | 1 | 10B | 90 BPM | ||
Davidsbündlertänze, Op. 6: No. 2. Innig | Robert Schumann, Boris Giltburg | B Major | 0 | 1B | 70 BPM | ||
Triakontameron: No. 11. Alt-Wien (arr. for violin and piano) | Jascha Heifetz, Leopold Godowsky, Vilmos Szabadi, Márta Gulyás | G Major | 1 | 9B | 90 BPM | ||
Ballade No. 1, Op. 23 in G Minor - Due-Art 5793 | Frédéric Chopin, Peter Phillips, Leopold Godowsky | A Major | 2 | 11B | 91 BPM | ||
Piano Sonata No. 13 in B flat, K.333: 2. Andante cantabile | Wolfgang Amadeus Mozart, András Schiff | E♭ Major | 0 | 5B | 81 BPM | ||
Capriccio in F-Sharp Minor, Op. 76, No. 1 | Johannes Brahms, Arcadi Volodos | D♭ Major | 1 | 3B | 69 BPM | ||
Where Beauty Dwells, Op. 21 No. 7 - How Fair This Spot | Earl Wild, Sergei Rachmaninoff, Giovanni Doria Miglietta | F♯ Minor | 0 | 11A | 131 BPM |
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