"Where Beauty Dwells, Op. 21 No. 7 - How Fair This Spot" by Earl Wild, Sergei Rachmaninoff, Giovanni Doria Miglietta had its release date on November 30, 2022. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 36 in Earl Wild: Complete Piano Music by Earl Wild, Giovanni Doria Miglietta. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Where Beauty Dwells, Op. 21 No. 7 - How Fair This Spot's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Where Beauty Dwells, Op. 21 No. 7 - How Fair This Spot by Earl Wild, Sergei Rachmaninoff, Giovanni Doria Miglietta is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bocetos: IV. La campana de la tarde. Allegretto | Enrique Granados, Alicia de Larrocha | F Major | 0 | 7B | 129 BPM | ||
Myrthen, Op. 25: No. 24, Du bist wie eine Blume (Arr. Godowsky) | Robert Schumann, Angela Hewitt | C Major | 0 | 8B | 131 BPM | ||
Les jeux d'eau à la Villa d'Este | Franz Liszt, André Watts | F♯ Major | 0 | 2B | 72 BPM | ||
6 Romances sans paroles, Op. 76: VI. Méditation | Cécile Chaminade, Mark Viner | A♭ Major | 0 | 4B | 72 BPM | ||
Fantasiestucke, Op. 12: Des Abends | Benjamin Frith, Robert Schumann | D♭ Major | 0 | 3B | 123 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: II. Villanella (Quadro III | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 136 BPM | ||
6 Romances sans paroles, Op. 76: No. 1. Souvenance | Cécile Chaminade, Cindy Lin | E Minor | 1 | 9A | 65 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
6 Bagatelles for Piano, Op. 97: Lied, No. 2 | Jean Sibelius, Leif Ove Andsnes | F Major | 0 | 7B | 66 BPM |