"Norma (1997 Digital Remaster), ACT 1, Scene 1: Eccola! Va, mi lascia ragion non odo (Pollione/Adalgisa)" by Vincenzo Bellini, Franco Corelli, Christa Ludwig, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan was released on 1961. With Norma (1997 Digital Remaster), ACT 1, Scene 1: Eccola! Va, mi lascia ragion non odo (Pollione/Adalgisa) being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 44 in Bellini: Norma by Vincenzo Bellini, Maria Callas, Franco Corelli, Christa Ludwig, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano. Norma (1997 Digital Remaster), ACT 1, Scene 1: Eccola! Va, mi lascia ragion non odo (Pollione/Adalgisa) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Norma (1997 Digital Remaster), ACT 1, Scene 1: Eccola! Va, mi lascia ragion non odo (Pollione/Adalgisa) by Vincenzo Bellini, Franco Corelli, Christa Ludwig, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Il barbiere di Siviglia / Act 1: No.9 Finale I: "Ehi, di casa!... buona gente!..." | Gioachino Rossini, Ugo Benelli, Fernando Corena, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 3 | 8B | 105 BPM | ||
Dunque è proprio finita? (Rodolfo/Mimì/Marcello/Musetta) - 1997 Remastered Version | Giacomo Puccini, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | F♯ Major | 1 | 2B | 81 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | E♭ Major | 3 | 5B | 89 BPM | ||
Lucia di Lammermoor / Act 2: "Al ben de'tuoi qual vittima" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Mille grazie, mio signore (Conte/Fiorello/Coro) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva, Mario Carlin | D Major | 5 | 10B | 125 BPM | ||
Puccini: Turandot, Act 1: "Ah! per l'ultima volta!" (Timur, Liù, Ping, Pang, Pong, Calaf, Chorus) + Prince di Persia, Mandarino | Giacomo Puccini, Franco Corelli, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | E♭ Minor | 5 | 2A | 94 BPM | ||
La Cenerentola / Act 1: "Là del diel nell'arcano profondo" | Gioachino Rossini, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 2 | 8B | 123 BPM | ||
Norma / Act 1: Oh! rimembranza! | Vincenzo Bellini, Dame Joan Sutherland, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | F Minor | 1 | 4A | 107 BPM | ||
Lucia di Lammermoor / Act 3: "S'avanza Enrico" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 0 | 9B | 107 BPM | ||
Il Barbiere di Siviglia: La calunnia è un venticello | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM |
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