Giacomo Puccini, Franco Corelli, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma's 'Puccini: Turandot, Act 1: "Ah! per l'ultima volta!" (Timur, Liù, Ping, Pang, Pong, Calaf, Chorus) + Prince di Persia, Mandarino' came out on 1966. The duration of Puccini: Turandot, Act 1: "Ah! per l'ultima volta!" (Timur, Liù, Ping, Pang, Pong, Calaf, Chorus) + Prince di Persia, Mandarino is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Puccini: Turandot, Act 1: "Ah! per l'ultima volta!" (Timur, Liù, Ping, Pang, Pong, Calaf, Chorus) + Prince di Persia, Mandarino's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 45 in the song's album "Puccini: Turandot". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Puccini: Turandot, Act 1: "Ah! per l'ultima volta!" (Timur, Liù, Ping, Pang, Pong, Calaf, Chorus) + Prince di Persia, Mandarino is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Turandot, Act 1: "Ah! per l'ultima volta!" (Timur, Liù, Ping, Pang, Pong, Calaf, Chorus) + Prince di Persia, Mandarino by Giacomo Puccini, Franco Corelli, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata, Act I, Scena, Aria e Finale: Ah fors'è lui | Giuseppe Verdi, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti | F Minor | 0 | 4A | 74 BPM | ||
Madame Butterfly - Grosser Querschnitt: Eines Tages seh'n wir uns wieder | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | B Minor | 7 | 10A | 112 BPM | ||
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
Tosca / Act 2: "Ha più forte sapore" - "Spoletta è giunto" | Giacomo Puccini, Ingvar Wixell, Piero de Palma, William Elvin, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | D♭ Minor | 4 | 12A | 108 BPM | ||
La Boheme, dritter Akt: Mimi ! | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Ave, Verum Corpus | Franco Corelli | A Major | 1 | 11B | 66 BPM | ||
Norma, Act II: Mira, O Norma (Critical Ed. Maurizio Biondi and Riccardo Minasi) - Edit | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | B♭ Major | 4 | 6B | 121 BPM | ||
La Boheme, vierter Akt: Sono andati fingevo di dormire | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Il barbiere di Siviglia / Act 1: No.6 Aria: "La calunnia è un venticello" | Gioachino Rossini, Nicolai Ghiaurov, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 2 | 8B | 81 BPM | ||
Cherubini: Medea, Act 1: "O bella Glauce" (Chorus, Glauce) | Luigi Cherubini, Coro del Teatro alla Scala di Milano, Renata Scotto, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | D Major | 2 | 10B | 116 BPM |
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