Anonymous, Clemencic Consort, Eric Mentzel, Colin Scott Mason, Dominique Visse, Edmund Brownless, Rene Clemencic made "De la virge Katerine - Quant froidure - Agmina milicie - Agmina" available on December 6, 1996. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Anonymous, Clemencic Consort, Rene Clemencic's "Motetus: Music in the Days of Notre-Dame in Paris" album is number 23 out of 26. On top of that, France appears to be the country where this track was created. De la virge Katerine - Quant froidure - Agmina milicie - Agmina is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of De la virge Katerine - Quant froidure - Agmina milicie - Agmina by Anonymous, Clemencic Consort, Eric Mentzel, Colin Scott Mason, Dominique Visse, Edmund Brownless, Rene Clemencic to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Day Has Passed | Men's Choir of the Valaam ... | D Major | 1 | 10B | 135 BPM | ||
Sanctus Benedictus | Probandi Benedittini Di San Giovanni In Parma | G Minor | 1 | 6A | 94 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XII. Amen and with Thy Spirit | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
Adesto dolori meo | Jacob Clemens non Papa, Musica Sacra | B♭ Major | 1 | 6B | 87 BPM | ||
Mass for the Nativity of the Virgin: II. Conduit à quatre voix "Deus misertus hominis" | Pérotin, Ensemble Organum, Marcel Pérès | B♭ Major | 1 | 6B | 69 BPM | ||
Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Antífonia) | Jordi Savall | D Minor | 0 | 7A | 89 BPM | ||
Pax Aeterna | Monks Of The Abbey Of Notre Dame | A♭ Major | 1 | 4B | 81 BPM | ||
Great doxology | Loktev, Monks Choir of Kiev Pechersk Monastery | F♯ Major | 0 | 2B | 77 BPM | ||
Agnus Dei | Probandi Benedittini Di San Giovanni In Parma | G Minor | 1 | 6A | 94 BPM | ||
Tunes for Archbishop Parker's Psalter: No. 3, Psalm 2 "Why Fum'th in Fight" (Arr. for Choir, Organ & Brass Ensemble) | Thomas Tallis, Croydon Minster Choir Of Whitgift School, The English Cornett and Sackbut Ensemble, Tom Little, Ronny Krippner | A Minor | 1 | 8A | 87 BPM |
Section: 0.7685286998748779
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