"Tunes for Archbishop Parker's Psalter: No. 3, Psalm 2 "Why Fum'th in Fight" (Arr. for Choir, Organ & Brass Ensemble)" by Thomas Tallis, Croydon Minster Choir Of Whitgift School, The English Cornett and Sackbut Ensemble, Tom Little, Ronny Krippner was released on May 1, 2017. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "The Tudor Choir Book, Vol. 1". In this album, this song's track order is #2. Tunes for Archbishop Parker's Psalter: No. 3, Psalm 2 "Why Fum'th in Fight" (Arr. for Choir, Organ & Brass Ensemble) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tunes for Archbishop Parker's Psalter: No. 3, Psalm 2 "Why Fum'th in Fight" (Arr. for Choir, Organ & Brass Ensemble) by Thomas Tallis, Croydon Minster Choir Of Whitgift School, The English Cornett and Sackbut Ensemble, Tom Little, Ronny Krippner having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rise up, my love, my fair one, Op. 314 | Healey Willan, Matthew Larkin, Elora Festival Singers, Noel Edison | D♭ Major | 0 | 3B | 137 BPM | ||
Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | ||
Tallis: Spem in Alium - 4. Respice (Repeat) | The Tallis Scholars, Peter Phillips | D Major | 3 | 10B | 89 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: VI. Hymn of the Cherubim | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E Minor | 0 | 9A | 85 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: IV. Sanctus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 71 BPM | ||
Bogoroditse Devo, raduysia | Sergey Khvoshchinsky, The Rose Ensemble, Jordan Sramek | E♭ Major | 2 | 5B | 87 BPM | ||
Reincarnations, Op. 16: III. The Coolin | Samuel Barber, Birmingham Conservatoire Chamber Choir, Paul Spicer | G Minor | 1 | 6A | 103 BPM | ||
Requiem, Op. 9: Kyrie | Maurice Duruflé, The Choir of Magdalen College, Oxford, English Sinfonia, Martin Ford | F Major | 1 | 7B | 97 BPM | ||
Pueri concinite | Jacobus Gallus, Pro Musica, Szabó Dénes | F Major | 1 | 7B | 87 BPM | ||
O Euchari columba | Hildegard von Bingen, Voices of Ascension, women section, Dennis Keene | A Minor | 0 | 8A | 67 BPM |
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