"Dance Preludes: V. Allegro molto" by Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Michael Collins was released on March 1, 2013. With Dance Preludes: V. Allegro molto being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Tasmin Little, Michael Collins's "Lutosławski: Symphony No. 1, Partita, Chain 2 & Preludia Taneczne" album is number 18 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Dance Preludes: V. Allegro molto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dance Preludes: V. Allegro molto by Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Michael Collins to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 8 in C Minor, Op. 110: I. Largo | Dmitri Shostakovich, Asasello Quartett | G Major | 0 | 9B | 88 BPM | ||
Sonata for Clarinet and Piano: 2. Romanza | Francis Poulenc, Karl Leister, James Levine | G Minor | 0 | 6A | 72 BPM | ||
Danzas Argentinas, Op. 2: No. 3, Danza del gaucho matrero | Alberto Ginastera, Luca Sacher | C Major | 3 | 8B | 81 BPM | ||
Novelette: I. Announcement | Witold Lutosławski, Finnish Radio Symphony Orchestra, Nicholas Collon | B♭ Minor | 3 | 3A | 75 BPM | ||
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM | ||
3 Corali, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | G Major | 0 | 9B | 74 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM | ||
Ligeti : Romanian Concerto : III Adagio, ma non troppo | György Ligeti, Jonathan Nott, Berliner Philharmoniker | F Major | 0 | 7B | 73 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM |
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