"El mariner" by Manuel Garcia-Morante, Victoria de los Ángeles, Geoffrey Parsons was released on May 28, 1992. The duration of El mariner is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. El mariner's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Manuel Garcia-Morante, Victoria de los Ángeles, Geoffrey Parsons's "Morante: Traditional Catalan Songs" album is number 3 out of 29. On top of that, United Kingdom appears to be the country where this track was created. El mariner is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of El mariner by Manuel Garcia-Morante, Victoria de los Ángeles, Geoffrey Parsons to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puts: The Hours, Act 2: "All Along?" (Clarissa, Laura, Virginia) [Live] | Kevin Puts, Yannick Nézet-Séguin, Joyce DiDonato, Kelli O'Hara, Renée Fleming, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
12 Romances, Op. 21: No. 9, Melody | Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas | G Major | 0 | 9B | 79 BPM | ||
La rosa y el sauce | Tamara Radjenovic, Makris Symphony Orchestra | F Major | 0 | 7B | 106 BPM | ||
Spring Symphony, Op. 44, Part I: The Driving Boy (soprano, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | D Major | 2 | 10B | 148 BPM | ||
Nana Criolla | José Maria Gallardo del Rey, Elina Garanca | A♭ Major | 0 | 4B | 81 BPM | ||
Haugtussa, Op. 67: VII. Vond dag | Charlotte Hoather, George Todica | B♭ Minor | 1 | 3A | 58 BPM | ||
Resitatiivi, Kun Jeesus Oli Vangittu | Joose Vähäsöyrinki, Heikki Rainio | C Minor | 1 | 5A | 76 BPM | ||
Cinc Cançons Tradicionals Catalanes: II. Mariagneta | Victoria de los Ángeles, Manuel Garcia-Morante | G Minor | 1 | 6A | 102 BPM | ||
Quartet a Picasso: III. Allegro maestoso appassionato | Manuel Garcia-Morante, Quartet Glinka | F♯ Minor | 4 | 11A | 86 BPM | ||
Saul: Act I, Scene I, Air. "An Infant Rais'd", (Merah) | George Frideric Handel, The Sixteen | E Major | 1 | 12B | 79 BPM |
Section: 1.0089352130889893
End: 1.014113426208496