"Resitatiivi, Kun Jeesus Oli Vangittu" by Joose Vähäsöyrinki, Heikki Rainio was released on March 10, 2020. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 43 in the song's album "Pietari Oratorio (Ihmisten Kalastaja)". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Finland. Resitatiivi, Kun Jeesus Oli Vangittu is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Resitatiivi, Kun Jeesus Oli Vangittu by Joose Vähäsöyrinki, Heikki Rainio having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tu lo sai | Giuseppe Torelli, Holly Bewlay, Sarah Rhee | E Major | 1 | 12B | 67 BPM | ||
Mass in B Minor, BWV 232 - Symbolum Nicenum (Credo): XIX. Et in Spiritum Sanctum (Live) | Johann Sebastian Bach, Cantata Collective, Nicholas McGegan, Paul Max Tipton | D♭ Major | 3 | 3B | 81 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: VI. Deposuit potentes | Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Wilfred Brown, Geraint Jones Orchestra | F Major | 1 | 7B | 85 BPM | ||
Seven Last Words - Introduction - Theodore Dubois | Theodore Dubois, Exultate | D Major | 4 | 10B | 85 BPM | ||
Gloria, FP 177: I. Gloria in excelsis Deo | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge | A Minor | 3 | 8A | 95 BPM | ||
The Crucifixion: Recitative: And as Moses lifted up the serpent (Bass) | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | D Major | 1 | 10B | 86 BPM | ||
Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM | ||
Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Florian Boesch | B♭ Minor | 0 | 3A | 79 BPM | ||
Requiem in C Minor, MH 559: Dies irae: Oro supplex | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | A♭ Major | 0 | 4B | 76 BPM | ||
Requiem: Mors stupebit | Xavier Benguerel, Cor de Cambra del Palau de la Musica Catalana, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Dalmau González, Lluís Sintes, Maribel Ortega, Marisa Martins, Matteo Suk, Miquel Ortega | D Major | 1 | 10B | 80 BPM |
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