"The Crucifixion: Recitative: And as Moses lifted up the serpent (Bass)" by John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown was released on May 1, 2005. With The Crucifixion: Recitative: And as Moses lifted up the serpent (Bass) being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Stainer: Crucifixion (The)". In this album, this song's track order is #8. The Crucifixion: Recitative: And as Moses lifted up the serpent (Bass) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Crucifixion: Recitative: And as Moses lifted up the serpent (Bass) by John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalm 15 "Lord Who Shall Dwell in Thy Tabernacle" | Edward Hopkins, Durham Cathedral Choir, James Lancelot | F Major | 3 | 7B | 122 BPM | ||
Der er etyndigt land (There is a Lovely Country) | Carl Nielsen, Danish National Vocal Ensemble, Michael Schønwandt | F Major | 1 | 7B | 98 BPM | ||
Christus vincit | Basilica of the National Shrine of the Immaculate Conception Choir | G Major | 2 | 9B | 133 BPM | ||
Dominus Pastor Meus (Psalm 23) | Charles Hylton Stewart, Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | D♭ Minor | 0 | 12A | 60 BPM | ||
Sacred Concerto No. 6, "Slava vo vishnikh Bohu" (Glory to God in the highest): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | F♯ Major | 0 | 2B | 69 BPM | ||
We Rejoice to Be God's Chosen | John Bell, The Cathedral Singers | A♭ Major | 2 | 4B | 73 BPM | ||
Burial Service: I. Man that is Born of a Woman | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 0 | 6A | 98 BPM | ||
There's a Wideness in God's Mercy | John Stainer, Belfast Cathedral Choir, Ian Barber, Philip Stopford | G Major | 2 | 9B | 76 BPM | ||
Southwell "Lord Jesus, Think on Me" | William Daman, Collegiate Church of St Mary Warwick Choir, Christopher Monks, Christopher Betts | E Minor | 1 | 9A | 101 BPM | ||
Vårmorgonen | Karl-Erik Welin, Meng Hao-Jan, Storkyrkans Kör, Gustaf Sjokvist | E Minor | 0 | 9A | 76 BPM |
Section: 0.5499024391174316
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