"Cinc Cançons Tradicionals Catalanes: II. Mariagneta" by Victoria de los Ángeles, Manuel Garcia-Morante was released on 2004. The duration of Cinc Cançons Tradicionals Catalanes: II. Mariagneta is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Cinc Cançons Tradicionals Catalanes: II. Mariagneta's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Tokyo. Recitals 1988 - 1990". In this album, this song's track order is #20. In terms of popularity, Cinc Cançons Tradicionals Catalanes: II. Mariagneta is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Cinc Cançons Tradicionals Catalanes: II. Mariagneta by Victoria de los Ángeles, Manuel Garcia-Morante having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | ||
Cilèa: L'Arlesiana, Act 2: "È la solita storia del pastore" (Federico) | Francesco Cilea, Rolando Villazón, Marcello Viotti, Munich Radio Orchestra, Muenchner Rundfunkorchester | A Minor | 1 | 8A | 168 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
Montsalvatge: 5 Canciones negras: No. 2, Punto de habanera (Live) | Xavier Montsalvatge, Victoria de los Ángeles, Gerald Moore | D Major | 2 | 10B | 90 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Chanson triste (version for voice and piano) | Henri Duparc, Paul Groves, Roger Vignoles | E♭ Major | 1 | 5B | 87 BPM | ||
Puccini: La bohème, Act 2: Valzer. "Quando men' vo soletta" (Musetta, Marcello, Alcindoro, Mimì, Rodolfo, Schaunard, Colline) | Giacomo Puccini, Victoria de los Ángeles, Fernando Corena, Giorgio Tozzi, John Reardon, Jussi Björling, Lucine Amara, Robert Merrill, Sir Thomas Beecham, RCA Victor Orchestra | A Major | 0 | 11B | 135 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Alfonso X el Sabio: Cantigas de Santa María: No. 139, Maravillosos e piadosos | Alfonso X El Sabio, Victoria de los Ángeles, Ars Musicae De Barcelona, Enrique Gispert | B Minor | 1 | 10A | 95 BPM | ||
Massenet: Manon, Act 3: "Je marche sur tous les chemins" (Manon) | Jules Massenet, Victoria de los Ángeles, Pierre Monteux, Orchestre du Théâtre national de l'Opéra-Comique | B♭ Major | 2 | 6B | 108 BPM |
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