Joseph Canteloube, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra made "Malurous Qu'o uno Fenno (from Chants d'Auvergne Series 3 no 5)" available on October 10, 2011. With Malurous Qu'o uno Fenno (from Chants d'Auvergne Series 3 no 5) being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Storyteller". In this album, this song's track order is #21. Based on our statistics, Malurous Qu'o uno Fenno (from Chants d'Auvergne Series 3 no 5)'s popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Malurous Qu'o uno Fenno (from Chants d'Auvergne Series 3 no 5) by Joseph Canteloube, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M13: Finale: Through this House Give Glimmering Light | Felix Mendelssohn, Kathleen Battle, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | E Major | 1 | 12B | 145 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Andrew Davis, BBC Philharmonic, Tasmin Little | E Major | 0 | 12B | 80 BPM | ||
Canteloube : Chants d'Auvergne : La pastoura als camps | Joseph Canteloube, Dawn Upshaw, Kent Nagano, Alexia Benoit, Orchestre de l'Opéra de Lyon | C Minor | 2 | 5A | 89 BPM | ||
Rachmaninov: 12 Songs, Op. 21 - Arr. By Michael Rot: 7. Zdes′ khorosho | Sergei Rachmaninoff, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev | A Major | 1 | 11B | 78 BPM | ||
Les pêcheurs de perles, WD 13 / Act I: "C'était le soir" ... "Au fond du temple saint" | Georges Bizet, Rolando Villazón, Ildar Abdrazakov, Orchestre Métropolitain, Yannick Nézet-Séguin | E Major | 0 | 12B | 79 BPM | ||
Romance in E-Flat Major, Op. 11 | Gerald Finzi, Royal Northern Sinfonia, Howard Griffiths | A♭ Major | 1 | 4B | 86 BPM | ||
Poème de l'amour et de la mer, Op. 19: I. La fleur des eaux | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | F Major | 1 | 7B | 72 BPM | ||
Gloria in D Major, RV 589: 1. Gloria in excelsis | Antonio Vivaldi, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | D♭ Major | 3 | 3B | 128 BPM | ||
Eight Part Songs, Op. 119: No. 3, The Blue Bird | Charles Villiers Stanford, Gabrieli, Paul McCreesh | F♯ Major | 0 | 2B | 131 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | E♭ Major | 1 | 5B | 49 BPM |
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