Joseph Canteloube, Dawn Upshaw, Kent Nagano, Alexia Benoit, Orchestre de l'Opéra de Lyon's 'Canteloube : Chants d'Auvergne : La pastoura als camps' came out on 1994. The duration of Canteloube : Chants d'Auvergne : La pastoura als camps is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Canteloube : Chants d'Auvergne : La pastoura als camps's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 39 in Canteloube : Chants d'Auvergne [Complete] by Joseph Canteloube, Dawn Upshaw, Kent Nagano, Orchestre de l'Opéra de Lyon. Canteloube : Chants d'Auvergne : La pastoura als camps is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Canteloube : Chants d'Auvergne : La pastoura als camps by Joseph Canteloube, Dawn Upshaw, Kent Nagano, Alexia Benoit, Orchestre de l'Opéra de Lyon is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sea Pictures, Op. 37: No. 2, In Haven (Capri) | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Major | 1 | 8B | 86 BPM | ||
Chants d'Auvergne, Vol. 1: No. 1. La Pastoura Als Camps (The Shepherdess in the Fields) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | C Minor | 1 | 5A | 62 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Lo Fiolaire, Serie 3, No. 1 | Joseph Canteloube, Patricia Rozario, Sir John Pritchard, Philharmonia Orchestra | D Minor | 1 | 7A | 106 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Ach, ich fühl's" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 69 BPM | ||
Chants d'Auvergne: Baïlèro | Joseph Canteloube, Julian Lloyd Webber, Charles Gerhardt | B♭ Major | 2 | 6B | 88 BPM | ||
Trois chansons de Bilitis, L. 90: No. 1, La flûte de Pan | Claude Debussy, Anne Sofie von Otter, Bengt Forsberg | F♯ Major | 0 | 2B | 85 BPM | ||
The Music Makers, Op. 69: II. We Are the music makers | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | B♭ Minor | 0 | 3A | 79 BPM | ||
Romance for String Orchestra, Op.11 | Gerald Finzi, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 80 BPM |
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