Morton Gould, Julian Bliss, J. Eric Wilson, Baylor University Wind Ensemble's 'Derivations for Clarinet and Band: II. Contrapuntal Blues' came out on February 2, 2024. Since Derivations for Clarinet and Band: II. Contrapuntal Blues is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 11 in Divine Mischief by Julian Bliss, J. Eric Wilson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Derivations for Clarinet and Band: II. Contrapuntal Blues's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Derivations for Clarinet and Band: II. Contrapuntal Blues by Morton Gould, Julian Bliss, J. Eric Wilson, Baylor University Wind Ensemble is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peter and the Wolf, Op. 67 (Without Narration): The Wolf | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Minor | 0 | 5A | 56 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato (1) | Sergei Rachmaninoff, Klára Würtz, Ukraine National Symphony Orchestra, Vladimir Sirenko | F Minor | 0 | 4A | 65 BPM | ||
Faire Frou-Frou | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | G Major | 2 | 9B | 175 BPM | ||
Coronation Scot | Vivian Ellis, RTE Concert Orchestra, Ernest Tomlinson | G Major | 0 | 9B | 147 BPM | ||
Tuba Concerto: III. Allegro giocoso | Edward Gregson, James Gourlay, Royal Ballet Sinfonia, Gavin Sutherland | G Minor | 2 | 6A | 66 BPM | ||
Harvest Hymn | Percy Grainger, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 84 BPM | ||
American Salute (arr. for wind orchestra) | Morton Gould, Phillip J. Lang, Cincinnati Wind Symphony, Eugene Migliaro Corporon | G Minor | 3 | 6A | 139 BPM | ||
Music for the Royal Fireworks, HWV 351: IV. La rejouissance | George Frideric Handel, Le Concert Spirituel, Herve Niquet | D♭ Major | 4 | 3B | 107 BPM | ||
The Washington Post March | John Philip Sousa, Royal Artillery Band, Keith Brion | F Major | 2 | 7B | 119 BPM |
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