"Harvest Hymn" by Percy Grainger, Academy of St. Martin in the Fields, Sir Neville Marriner was released on 1997. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 7 in English Seasons by Academy of St. Martin in the Fields, Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Harvest Hymn is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Harvest Hymn by Percy Grainger, Academy of St. Martin in the Fields, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Five Variants of "Dives and Lazarus" | Ralph Vaughan Williams, Iona Brown, Kenneth Heath, Skaila Kanga, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 87 BPM | ||
Handel: Water Music Suite No. 1, HWV 348: Adagio e staccato | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 116 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM | ||
Jazz Suite No. 2: IV. Waltz 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 2 | 6B | 109 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: I. Ouverture | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 3 | 10B | 113 BPM | ||
Brandenburg Concerto No. 2 in F Major, BWV 1047: 1. (Allegro) | Johann Sebastian Bach, Henryk Szeryng, Michala Petri, Heinz Holliger, André Bernard, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 0 | 8B | 108 BPM | ||
Kinderszenen, Op. 15: No. 7, Träumerei (Arr. for Violin and Orchestra) | Robert Schumann, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 93 BPM |
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