"5 Sephardic Choruses: III. Ein Keloheinu" by Samuel Adler, Mary Ellen Callahan, Helen Kruszewski, Heather Johnson, Matthew Kirchner, Gideon Dabi, Ted Christopher, Rutgers Kirkpatrick Choir, Pen Ying Fang, Patrick Gardner had its release date on March 1, 2004. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. 5 Sephardic Choruses: III. Ein Keloheinu's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 19 in Adler: Symphony No. 5 / Nuptial Scene / The Binding by Samuel Adler. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, 5 Sephardic Choruses: III. Ein Keloheinu's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 5 Sephardic Choruses: III. Ein Keloheinu by Samuel Adler, Mary Ellen Callahan, Helen Kruszewski, Heather Johnson, Matthew Kirchner, Gideon Dabi, Ted Christopher, Rutgers Kirkpatrick Choir, Pen Ying Fang, Patrick Gardner is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Dr. Merryheart: VI. Variation 5: Merryheart Fights A Dragon (Merryheart kampft mit dem Drache) | RTÉ National Symphony Orchestra, Havergal Brian | F Minor | 0 | 4A | 85 BPM | ||
Mayenlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | A Major | 0 | 11B | 71 BPM | ||
Sounds of Clusters (From "Brass Fragments") | Samuel Adler, Jack Stamp, Keystone Wind Ensemble | F Major | 0 | 7B | 61 BPM | ||
Renaissance Concerto: IV. Jouissance | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
Symphony No. 5, "We are the Echoes": III. The Future | Samuel Adler, Phyllis Bryn-Julson, Berlin Radio Symphony Orchestra | B Major | 2 | 1B | 90 BPM | ||
V Unbreakable Unforgettable Unstoppable | Richard Thomas Brasseale, richard brasseale, Eleni Katz, Llewellyn Sánchez-Werner | F Major | 4 | 7B | 130 BPM | ||
Piano Concerto in F Major: III. Allegro agiato | George Gershwin, Eugene List, Deutsches Symphonie-Orchester Berlin, Samuel Adler | F Major | 0 | 7B | 136 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM | ||
A Child of our Time, Part I: Interludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Arcos Concerto: IV. Fast and Vigorous | Samuel Adler, Sooyun Kim, Michelle Farah, Yoonah Kim, Taylor Smith, New York Classical Players, Dongmin Kim | F Major | 2 | 7B | 132 BPM |