"L’opéra de quat'sous, Act I: Love song" by Kurt Weill, Le Balcon, Maxime Pascal, Birane Ba, Marie Oppert was released on September 22, 2023. With L’opéra de quat'sous, Act I: Love song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weill, Brecht & Hauptmann: L'opéra de quat'sous by Kurt Weill, Le Balcon, Maxime Pascal. The song's track number on the album is #19 out of 57 tracks. Based on our data, France was the country where this track was produced or recorded. L’opéra de quat'sous, Act I: Love song is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since L’opéra de quat'sous, Act I: Love song by Kurt Weill, Le Balcon, Maxime Pascal, Birane Ba, Marie Oppert has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With L’opéra de quat'sous, Act I: Love song being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Pêcheurs de perles: Je crois entendre encore (Nadir) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | A Minor | 1 | 8A | 88 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "Thy Hand Belinda - When I Am Laid In Earth" | Henry Purcell, Catherine Bott, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 83 BPM | ||
3 Film Scores: No. 3. Face of Another: Waltz | Toru Takemitsu, Bournemouth Symphony Orchestra, Marin Alsop | A♭ Major | 1 | 4B | 112 BPM | ||
Purcell / Arr. The King’s Singers: Music for a While, Z. 583 | Henry Purcell, Jakub Józef Orliński, The King's Singers | E Minor | 1 | 9A | 112 BPM | ||
Tango Jalousie | Jacob Gade, Yo-Yo Ma, Kathryn Stott | D Major | 1 | 10B | 78 BPM | ||
The Ragtime Dance (arr. I. Perlman for violin and piano) | Itzhak Perlman, Scott Joplin, Matthew Trusler, Wayne Marshall | E♭ Major | 2 | 5B | 95 BPM | ||
Shostakovich: Tahiti Trot, Op. 16 (Orchestration of "Tea for Two") | Vincent Youmans, Philadelphia Orchestra, Mariss Jansons | A♭ Major | 1 | 4B | 84 BPM | ||
Lohengrin, WWV 75: Prelude To Act I | Richard Wagner, Berliner Philharmoniker, Rafael Kubelík | B Major | 1 | 1B | 81 BPM | ||
Grand Canyon Suite: 3. On the Trail | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | A Major | 1 | 11B | 80 BPM |
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