Jacques Offenbach, Metropolitan Opera Orchestra, Maurice De Abravanel, René Maison, Lawrence Tibbett, Vina Bovy, Norman Cordon, Irra Petina, Metropolitan Opera Chorus, Angelo Badà's 'Les contes d'Hoffmann, IJO 18, Act II: "Hélas ! mon coeur s'égare encore!" (Hoffmann, Dapertutto, Giulietta, Schlémil, Nicklausse, Chœur, Pitichinaccio)' came out on June 1, 2000. The duration of Les contes d'Hoffmann, IJO 18, Act II: "Hélas ! mon coeur s'égare encore!" (Hoffmann, Dapertutto, Giulietta, Schlémil, Nicklausse, Chœur, Pitichinaccio) is about 3 minutes long, at 3:27. Based on our data, "Les contes d'Hoffmann, IJO 18, Act II: "Hélas ! mon coeur s'égare encore!" (Hoffmann, Dapertutto, Giulietta, Schlémil, Nicklausse, Chœur, Pitichinaccio)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 35 in the song's album "OFFENBACH: LES CONTES D'HOFFMAN". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Italy. Les contes d'Hoffmann, IJO 18, Act II: "Hélas ! mon coeur s'égare encore!" (Hoffmann, Dapertutto, Giulietta, Schlémil, Nicklausse, Chœur, Pitichinaccio) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les contes d'Hoffmann, IJO 18, Act II: "Hélas ! mon coeur s'égare encore!" (Hoffmann, Dapertutto, Giulietta, Schlémil, Nicklausse, Chœur, Pitichinaccio) by Jacques Offenbach, Metropolitan Opera Orchestra, Maurice De Abravanel, René Maison, Lawrence Tibbett, Vina Bovy, Norman Cordon, Irra Petina, Metropolitan Opera Chorus, Angelo Badà having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, London Festival Orchestra, Alfred Scholz | G Minor | 1 | 6A | 91 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Eh hop! Eh hop! (Jupiter/Mercure/Junon) | Jacques Offenbach, Laurent Naouri/Etienne Lescroart/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | D Minor | 2 | 7A | 72 BPM | ||
Don Quixote: Act III: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 1 | 8B | 167 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM | ||
Dichter und Bauer: Overture | Franz von Suppé, Zubin Mehta, Wiener Philharmoniker | D Major | 1 | 10B | 77 BPM | ||
Scheherazade: The Young Prince | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 91 BPM | ||
Rienzi: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 3 | 10B | 99 BPM | ||
Sylvia: Act I: Valse lente | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 111 BPM |
Section: 0.718320369720459
End: 0.7233104705810547