"Les Pêcheurs de Perles,: C'est toi....Au fond du temple saint" by John Aler, Gino Quilico, Michel Plasson, Orchestre Du Capitole De Toulouse, Choeur Du Capitole De Toulouse was released on 2004. Since Les Pêcheurs de Perles,: C'est toi....Au fond du temple saint is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 100 Best Opera Classics, so we believe that "Les Pêcheurs de Perles,: C'est toi....Au fond du temple saint" is a single. Les Pêcheurs de Perles,: C'est toi....Au fond du temple saint is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Pêcheurs de Perles,: C'est toi....Au fond du temple saint by John Aler, Gino Quilico, Michel Plasson, Orchestre Du Capitole De Toulouse, Choeur Du Capitole De Toulouse is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rameau: Les Boréades, Act 1: "C'est dans cet aimable séjour" (Casilis) | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner, John Aler | D Major | 3 | 10B | 111 BPM | ||
Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | Johannes Brahms, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | E♭ Major | 1 | 5B | 86 BPM | ||
Saint Francois D'Assise / Deuxième Acte: Qui peut frapper de la sorte? (Frère Massée, l'Ange) | Olivier Messiaen, Dawn Upshaw, John Aler, Hallé, Kent Nagano, Jeanne Loriod | C Minor | 1 | 5A | 110 BPM | ||
Evening Service In G Minor (Z.231): Nunc dimittis | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
Gloria: Domine Deus, Agnus Dei | Antonio Vivaldi, Elinor Carter, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 0 | 12A | 179 BPM | ||
Delizie contente | Francesco Cavalli, Cecilia Bartoli, György Fischer | F Minor | 1 | 4A | 92 BPM | ||
Le toréador / Act 1: Vive la bouteille | Adolphe Adam, Michel Trempont, John Aler, Sumi Jo, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 2 | 6B | 102 BPM | ||
Stabat Mater: 8. Fac ut ardeat | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 132 BPM | ||
Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Vienna Boys' Choir, Chorus Viennensis, Vienna Volksoper Orchestra, Peter Marschik | G Minor | 0 | 6A | 75 BPM | ||
Dixit Dominus, HWV 232: 4. Juravit Dominus | George Frideric Handel, Arleen Auger, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey | F♯ Minor | 2 | 11A | 116 BPM |
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