"Romanian Folk Dances Sz. 56: IV. Dance from Bucium" by Béla Bartók, Martin Fröst, Royal Stockholm Philharmonic Orchestra was released on December 4, 2015. The duration of Romanian Folk Dances Sz. 56: IV. Dance from Bucium is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Romanian Folk Dances Sz. 56: IV. Dance from Bucium's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Roots". In this album, this song's track order is #12. Romanian Folk Dances Sz. 56: IV. Dance from Bucium is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romanian Folk Dances Sz. 56: IV. Dance from Bucium by Béla Bartók, Martin Fröst, Royal Stockholm Philharmonic Orchestra having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Peacock (from 3 Hungarian Folksongs from Csík, Sz. 35a/1) - Grand Piano | Béla Bartók, Víkingur Ólafsson | D Minor | 0 | 7A | 77 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gewandhausorchester, Václav Neumann | C Major | 3 | 8B | 129 BPM | ||
Klarinettenkonzert Nr. 1 f-Moll: III. Rondo: Allegretto | Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow | F Major | 1 | 7B | 145 BPM | ||
Piano Concerto No.2 in F Minor, Op.21: 2. Larghetto | Frédéric Chopin, Nelson Freire, Gürzenich Orchester Köln, Lionel Bringuier | B♭ Major | 1 | 6B | 85 BPM | ||
A Downland Suite (Arr. for String Orchestra): III. Minuet. Allegretto grazioso | John Ireland, Richard Hickox, City of London Sinfonia | B♭ Major | 1 | 6B | 133 BPM | ||
A Severn Rhapsody, Op. 3 | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | C Minor | 0 | 5A | 62 BPM | ||
Introduction, Theme and Variations on a Swedish Air, Op. 12: Variation II | Anonymous, Bernhard Henrik Crusell, Martin Fröst, Östgöta Blåsarsymfoniker, Arie Van Beek | B♭ Major | 1 | 6B | 71 BPM | ||
From Holberg's Time, Op. 40: I. Praeludium: Allegro vivace | Edvard Grieg, Moscow Soloists, Yuri Bashmet | G Minor | 1 | 6A | 117 BPM | ||
Sonata No. 84 in D | Antonio Soler, David Greilsammer | D Major | 1 | 10B | 130 BPM | ||
Tchaikovsky: Andante cantabile (From String Quartet No. 1 in D Major, Op. 11) | Pyotr Ilyich Tchaikovsky, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | F♯ Major | 0 | 2B | 85 BPM |
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