Anonymous, Bernhard Henrik Crusell, Martin Fröst, Östgöta Blåsarsymfoniker, Arie Van Beek's 'Introduction, Theme and Variations on a Swedish Air, Op. 12: Variation II' came out on June 30, 1997. With Introduction, Theme and Variations on a Swedish Air, Op. 12: Variation II being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Martin Fröst, Arie Van Beek's "Larsson Gothe: Hekas!" album is number 4 out of 12. On top of that, Sweden appears to be the country where this track was created. Introduction, Theme and Variations on a Swedish Air, Op. 12: Variation II is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Introduction, Theme and Variations on a Swedish Air, Op. 12: Variation II by Anonymous, Bernhard Henrik Crusell, Martin Fröst, Östgöta Blåsarsymfoniker, Arie Van Beek to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Offertorium: Ave Maria | Cantarte Regensburg | A Major | 1 | 11B | 69 BPM | ||
The Lord Reigns | Kiev Theological Academy Choir | A Minor | 1 | 8A | 79 BPM | ||
Missa de angelis - Gloria | Nova Schola Gregoriana, Alberto Turco | A Major | 1 | 11B | 134 BPM | ||
Hymnus, Veni Creator Spiritus | Choir of Beirut | B♭ Major | 0 | 6B | 70 BPM | ||
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
Regina Mundi | Monks Of The Abbey Of Notre Dame | B Major | 1 | 1B | 133 BPM | ||
La Messe: Kyrie IX | Choeur des moines de l'abbaye Notre Dame de Fontgombault | E Minor | 1 | 9A | 75 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
Messe de la toussaint : Introit gaudeamus psaume | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | F Major | 0 | 7B | 134 BPM | ||
Requiem aeternam | Traditional, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos | E♭ Major | 2 | 5B | 174 BPM |
Section: 0.5808947086334229
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