Troisième Leçon du Jeudy: VI. In tenebrosis (Beth) - Michel Richard Delalande, Sophie Karthäuser, Sébastien Daucé, Ensemble Correspondances Information

Acousticness: 96%
Danceability: 19%
Energy: 4%
Instrumentalness: 17%
Liveness: 14%
Loudness: 64%
Speechiness: 4%
Valence: 4%
Popularity: 2%
Loudness: -21.726 dB

Summary

"Troisième Leçon du Jeudy: VI. In tenebrosis (Beth)" by Michel Richard Delalande, Sophie Karthäuser, Sébastien Daucé, Ensemble Correspondances was released on March 9, 2015. The duration of Troisième Leçon du Jeudy: VI. In tenebrosis (Beth) is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Troisième Leçon du Jeudy: VI. In tenebrosis (Beth)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé, Sophie Karthäuser's "Lalande: Leçons de Ténèbres" album is number 27 out of 44. Troisième Leçon du Jeudy: VI. In tenebrosis (Beth) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Troisième Leçon du Jeudy: VI. In tenebrosis (Beth) BPM

We consider the tempo marking of Troisième Leçon du Jeudy: VI. In tenebrosis (Beth) by Michel Richard Delalande, Sophie Karthäuser, Sébastien Daucé, Ensemble Correspondances to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Troisième Leçon du Jeudy: VI. In tenebrosis (Beth) Key

This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso	Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese	C Major	4	8B	213 BPM
Te deum, LWV 55: II. Pleni sunt coeli et terra	Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles	B♭ Major	6	6B	94 BPM
Stabat Mater, P. 77: VI. Vidit suum	Giovanni Battista Pergolesi, Shira Patchornik, PRJCT Amsterdam	F♯ Minor	2	11A	101 BPM
Ariane et Bacchus, Prologue: Ouverture pour entracte	Marin Marais, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet	D♭ Minor	1	12A	87 BPM
Missa Paschalis, ZWV 7: Kyrie. Kyrie eleison II	Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity	F♯ Minor	2	11A	128 BPM
Missa S. Marcellini: IV. Gloria - Live at Melk Abbey, 6/10/2000	Johann Beer, Franz Raml	E♭ Major	2	5B	96 BPM
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": II. Sarabande. Die schlafende Thetis	Georg Philipp Telemann, Robert King, The King's Consort	B Major	3	1B	128 BPM
Stabat Mater in G Minor: V. Vidit suum	Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks	B Major	2	1B	81 BPM
Kuhnau: Magnificat in C Major: XIII. Chorus. "Sicut locutus est"	Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei	D♭ Major	2	3B	109 BPM
Fantasias & In Nomines: No. 15 in G Minor, In Nomine a 6, Z. 746	Henry Purcell, Chelys Consort of Viols, Emily Ashton	F♯ Minor	1	11A	108 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7435996532440186

End: 0.7470629215240479