"Piano Concerto No. 13 in C Major, K. 415: II. Andante" by Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra was released on 1976. Since Piano Concerto No. 13 in C Major, K. 415: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Murray Perahia's "Mozart: The Complete Piano Concertos" album is number 2 out of 83. On top of that, United States appears to be the country where this track was created. Piano Concerto No. 13 in C Major, K. 415: II. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 13 in C Major, K. 415: II. Andante by Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto | Christoph Willibald Gluck, Raymond Leppard, London Philharmonic Orchestra | F Major | 0 | 7B | 82 BPM | ||
Symphony No. 3 in D Major, D.200: II. Allegretto | Franz Schubert, Wiener Philharmoniker, Carlos Kleiber | G Major | 0 | 9B | 115 BPM | ||
Haydn: Symphony No. 100 in G Major, Hob. I:100 "Military": I. (b) Allegro | Joseph Haydn, English Chamber Orchestra, Jeffrey Tate | D Major | 1 | 10B | 124 BPM | ||
Der Stein der Weisen, Act I: Aria. Alle Wetter! O ihr Götter! | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas | E♭ Major | 2 | 5B | 77 BPM | ||
String Quartet No.4 in C, KV.157 III.Presto | Gunther Hasselmann | C Major | 3 | 8B | 94 BPM | ||
Schumann: Waldszenen, Op. 82: No. 7, Vogel als Prophet | Robert Schumann, Cyprien Katsaris | E Major | 0 | 12B | 81 BPM | ||
Piano Quartet No. 2 in E-Flat Major, K. 493: II. Larghetto | Wolfgang Amadeus Mozart, Emanuel Ax, Isaac Stern, Jaime Laredo, Yo-Yo Ma | A♭ Major | 0 | 4B | 115 BPM | ||
Schubert: Symphony No. 1 in D Major, D. 82: II. Andante | Franz Schubert, Wiener Philharmoniker, Riccardo Muti | G Major | 0 | 9B | 111 BPM | ||
String Quartet No. 4 in C Major, K. 157: II. Andante | Eder Quartet | C Minor | 0 | 5A | 98 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM |
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