Nicola Porpora, Max Emanuel Cenčić, Mary-Ellen Nesi, Dilyara Idrisova, Capella Cracoviensis, Jan Tomasz Adamus made "Germanico in Germania / Act 2: "Giungi a tempo, Rosmonda...Eccomi un’altra volta a te davante"" available on November 3, 2017. Since Germanico in Germania / Act 2: "Giungi a tempo, Rosmonda...Eccomi un’altra volta a te davante" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 69 in the song's album "Porpora: Germanico in Germania". In this album, this song's track order is #49. Furthermore, we believe that the track originated from United Kingdom. The popularity of Germanico in Germania / Act 2: "Giungi a tempo, Rosmonda...Eccomi un’altra volta a te davante" is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Germanico in Germania / Act 2: "Giungi a tempo, Rosmonda...Eccomi un’altra volta a te davante" by Nicola Porpora, Max Emanuel Cenčić, Mary-Ellen Nesi, Dilyara Idrisova, Capella Cracoviensis, Jan Tomasz Adamus having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Polifemo: Scena VI Arioso e accompagnato: Furie che mi straziate - Polifemo, Aci, Galatea | Nicola Porpora, Pavel Kudinov, Yuriy Mynenko, Julia Lezhneva, George Petrou, Armonia Atenea | D♭ Major | 3 | 3B | 83 BPM | ||
Le triomphe de l'amour, LWV 59: Air d'Apollon | Jean-Baptiste Lully, Café Zimmermann, Pablo Valetti | F Minor | 1 | 4A | 125 BPM | ||
Provenzale: Lo schiavo di sua moglie: "Non posso far" (Lucillo) | Francesco Provenzale, Lea Desandre, jupiter_BRKN, Thomas Dunford | D♭ Major | 3 | 3B | 136 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Germanicus: Rimembranza crudel | Georg Philipp Telemann, Jeanine De Bique, Concerto Köln, Luca Quintavalle | D Major | 1 | 10B | 93 BPM | ||
Maddalena ai piedi di Cristo: No. 2 Aria Amor Terreno "Dormi, o cara, e formi il sonno" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink | D♭ Major | 1 | 3B | 78 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Exsultate, jubilate, K.165: 3. Tu virginum corona | Wolfgang Amadeus Mozart, Julia Lezhneva, Il Giardino Armonico, Giovanni Antonini | A Major | 1 | 11B | 123 BPM | ||
Salve Regina, S. 308: No. 6, O clemens | Anonymous, Nicola Porpora, José Maria Lo Monaco, Stile Galante, Stefano Aresi | D Major | 1 | 10B | 76 BPM |
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