Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan made "Don Quixote, Op. 35, TrV 184: Variation I (Gemächlich)" available on January 1, 1998. The duration of Don Quixote, Op. 35, TrV 184: Variation I (Gemächlich) is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Don Quixote, Op. 35, TrV 184: Variation I (Gemächlich)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Strauss, R.: Don Quixote; Horn Concerto No.2". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. In terms of popularity, Don Quixote, Op. 35, TrV 184: Variation I (Gemächlich) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Don Quixote, Op. 35, TrV 184: Variation I (Gemächlich) by Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: 3. Mercury, the Winged Messenger | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 108 BPM | ||
Symphony No. 1 in C Minor, Op. 3, B. 9 - "The Bells of Zlonice": II. Adagio di molto | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelik | A♭ Major | 1 | 4B | 71 BPM | ||
Symphony No. 1 in C Minor, WAB 101 "Linz" (1866 Version): I. Allegro | Anton Bruckner, Berliner Philharmoniker, Seiji Ozawa | D Major | 2 | 10B | 92 BPM | ||
Symphony No. 3 in C Major, Op. 32: III. Andante | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Minor | 3 | 8A | 136 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Ritual of the Rival Tribes | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | C Minor | 4 | 5A | 82 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 2. Romanze (Ziemlich langsam) | Robert Schumann, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Don Quixote, Op. 35: The Battle with the Sheep: Variation II | Richard Strauss, Fritz Reiner, Antonio Janigro, Milton Preves, John Weicher | A Major | 2 | 11B | 126 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": III. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 83 BPM | ||
Variations on a theme of Frank Bridge, Op.10: 7. Wiener Waltzer | Benjamin Britten, English Chamber Orchestra | C Major | 1 | 8B | 98 BPM | ||
Symphony No. 2 "The Age of Anxiety" / Part 1 / II. The Seven Ages: Variation IV. Più mosso | Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | C Major | 2 | 8B | 118 BPM |
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