"The Pepperland Suite: IV. Sea of Monsters" by George Martin, Berlin Music Ensemble, Craig Leon was released on November 10, 2017. The duration of The Pepperland Suite: IV. Sea of Monsters is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. The Pepperland Suite: IV. Sea of Monsters's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Martin, Berlin Music Ensemble, Craig Leon's "George Martin: The Film Scores and Original Orchestral Music" album is number 4 out of 29. In terms of popularity, The Pepperland Suite: IV. Sea of Monsters is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Pepperland Suite: IV. Sea of Monsters by George Martin, Berlin Music Ensemble, Craig Leon to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variation 1: III. Homes in the Sky | Matthew Slater, London Metropolitan Orchestra | F Minor | 1 | 4A | 74 BPM | ||
Romeo and Juliet - Love Theme - Instrumental | Pyotr Ilyich Tchaikovsky, Philadelphia Orchestra, Eugene Ormandy | D♭ Major | 0 | 3B | 58 BPM | ||
Visiting - Spatialized Mix | Craig Leon | G Major | 1 | 9B | 71 BPM | ||
One Hundred Steps - Spatialized Mix | Craig Leon | A♭ Major | 9 | 4B | 104 BPM | ||
Piano Concerto No. 3 in C Major, Op. 144: II. Largo | Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A♭ Major | 0 | 4B | 58 BPM | ||
Gymnopédie No. 2 (Orch. Corp) | Erik Satie, Ronald Corp, New London Orchestra | D Major | 1 | 10B | 159 BPM | ||
The Night Of The Iguana: Maxine And Shannon Theme (Finale) | Benjamin Frankel, Queensland Symphony Orchestra, Werner Andreas Albert | A Major | 0 | 11B | 83 BPM | ||
Eylsian Fields | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
Brooklets & Heights | Danke Timi Briggs | E♭ Major | 3 | 5B | 74 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): II. Maestoso | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM |
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