Jean-Philippe Rameau, György Cziffra made "Rameau: Nouvelles suites de pièces de clavecin, Suite en sol majeur: IX. L'Égyptienne" available on April 22, 2022. The duration of Rameau: Nouvelles suites de pièces de clavecin, Suite en sol majeur: IX. L'Égyptienne is about 3 minutes long, at 3:27. Based on our data, "Rameau: Nouvelles suites de pièces de clavecin, Suite en sol majeur: IX. L'Égyptienne" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Récital à Saint-Frambourg: Couperin, Rameau, Marais & Daquin". In this album, this song's track order is #8. Furthermore, we believe that the track originated from France. Based on our statistics, Rameau: Nouvelles suites de pièces de clavecin, Suite en sol majeur: IX. L'Égyptienne's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Rameau: Nouvelles suites de pièces de clavecin, Suite en sol majeur: IX. L'Égyptienne by Jean-Philippe Rameau, György Cziffra having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement) | Marin Marais, Philippe Pierlot | D♭ Major | 0 | 3B | 77 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Mandolin Concerto in D Major: II. Andantino | Emanuele Barbella, Avi Avital, Il Giardino Armonico, Giovanni Antonini | F Major | 2 | 7B | 95 BPM | ||
Nouvelles suites de pièces de clavecin / Suite In G Major: Gavotte avec 6 doubles | Jean-Philippe Rameau, Kenneth Gilbert | F♯ Minor | 5 | 11A | 135 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
15 Pieces, Op. 3: Prelude | Gabriel Pierné, Hae Won Chang | C Minor | 0 | 5A | 83 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
Sonata in G major, Wq. 62/19: 2. Andante | Carl Philipp Emanuel Bach, Mikhail Pletnev | B Minor | 0 | 10A | 98 BPM |
Section: 0.6856799125671387
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