Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris made "Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 20, Fête de la cloche - Divertissement, (i) Galop final (Moderato - Allegro vivo)" available on November 9, 2009. The duration of Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 20, Fête de la cloche - Divertissement, (i) Galop final (Moderato - Allegro vivo) is about 3 minutes long, at 3:18. Based on our data, "Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 20, Fête de la cloche - Divertissement, (i) Galop final (Moderato - Allegro vivo)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 51 in Delibes: Coppélia by Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris. Based on our statistics, Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 20, Fête de la cloche - Divertissement, (i) Galop final (Moderato - Allegro vivo)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 20, Fête de la cloche - Divertissement, (i) Galop final (Moderato - Allegro vivo) by Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka) | Academy of St. Martin in the Fields | E Minor | 0 | 9A | 168 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Le Carnaval des Animaux, R.125: 4. Tortues | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | B♭ Major | 0 | 6B | 83 BPM | ||
J.S. Bach: J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air | Johann Sebastian Bach, Orpheus Chamber Orchestra | D Major | 3 | 10B | 65 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
Solfeggietto in C Minor, H. 220 | Carl Philipp Emanuel Bach, Cyprien Katsaris | F Minor | 1 | 4A | 105 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Coppelia: Act II - Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 70 BPM |
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