- BPM
- 106
- Key
- F♯ Minor
- Camelot
- 11A
Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia - Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner Information
- Acousticness
- 97%
- Danceability
- 19%
- Energy
- 3%
- Instrumentalness
- 83%
- Liveness
- 12%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 14%
- Loudness
- -28.745 dB
Summary
"Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia" by Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner was released on January 1, 2000. The duration of Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 42 in Bach, J.S.: Cantatas, Vol. 24 - Bwv 12, 103, 108, 117, 146, 166 by Johann Sebastian Bach, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia BPM
The tempo marking of Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia by Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia Key
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | I. Die Elenden Sollen Essen BWV 75, Seconda Parte, 8. Sinfonia | Pieter Jan Leusink, Knut Schoch, Ruth Holton, Sytse Buwalda, Susan Williams, Bas Ramselaar, Johann Sebastian Bach | F♯ Major | 1 | 2B | 89 BPM | |
 | II. Ich Liebe Den Höchsten Von Ganzem Gemüte Bwv 174, At The 2nd Day Of Whit Sun,am 2. Pfingsttag: Sinfonia (Concerto) | Pieter Jan Leusink, Eduard Wesley, Teunis van der Zwart, Bas Ramselaar, Sytse Buwalda, Peter Frankenberg, Louis Van Emmerik, Nico Van Der Meel, Johann Sebastian Bach, Nico De Gier, Amsterdam Classics B.V., Jean Van Vugt, Holland Boys Choir, Netherlands Bach Collegium, Erwin Wieringa | F♯ Major | 2 | 2B | 95 BPM | |
 | Matthäus Passion, Prima Parte: 27b. Chorus: Sind Blitze, Sind Donner In Wolken Verschwunden | Stephen Cleobury, Michael Chance, David Thomas, Emma Kirkby, Johann Sebastian Bach, Rogers Covey-Crump, Martyn Hill, Choir of King's College, Cambridge, Michael George | B♭ Minor | 5 | 3A | 93 BPM | |
 | I. Jesu, Nun Sei Gepreiset BWV 41, 1. Coro: Jesu, Nun Sei Gepreiset | Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Eduard Wesley, Knut Schoch, Frank Aarnink, Susan Williams, Hendrik Jan Houtsma, Vincent Van Ballegooien, Peter Frankenberg, Frank Anepool, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 4 | 1B | 95 BPM | |
 | Concerto For 4 Harpsichords In A Minor, BWV 1065: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Roderick Shaw, Johann Sebastian Bach | A Minor | 4 | 8A | 109 BPM | |
 | Concerto No. 1 In F Major BWV1046 - Allegro | Jordi Savall, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | |
 | Bleib bei uns, denn es will Abend werden, BWV 6: Chorale: Ach bleib bei uns, Herr Jesu Christ (Soprano) | Johann Sebastian Bach, Yukari Nonoshita, Robin Blaze, James Gilchrist, Dominik Worner, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | B Major | 0 | 1B | 106 BPM | |
 | Brandenburg Concerto No. 1 In F Major, BWV 1046: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | F Major | 3 | 7B | 90 BPM | |
 | Musical Offering, BWV 1079, Quaerendo invenieti: Canon a 2 | Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Maude Gratton, Marc Hantaï, François Fernandez | F♯ Minor | 3 | 11A | 62 BPM | |
 | Brandenburg Concerto No. 2 in F Major, BWV 1047: 1. (Allegro) | Johann Sebastian Bach, Henryk Szeryng, Michala Petri, Heinz Holliger, André Bernard, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 0 | 8B | 108 BPM |
- ISRC
- GBHNG0400106
- Label
- L-M Records/RCA Records
Section: 0.6212382316589355
End: 0.6249935626983643