Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Maude Gratton, Marc Hantaï, François Fernandez's 'Musical Offering, BWV 1079, Quaerendo invenieti: Canon a 2' came out on February 9, 2015. With Musical Offering, BWV 1079, Quaerendo invenieti: Canon a 2 being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 16 in Bach: Musikalisches Opfer (The Musical Offering) by Johann Sebastian Bach, Marc Hantaï, François Fernandez, Philippe Pierlot, Ricercar Consort, Maude Gratton. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Musical Offering, BWV 1079, Quaerendo invenieti: Canon a 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Musical Offering, BWV 1079, Quaerendo invenieti: Canon a 2 by Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Maude Gratton, Marc Hantaï, François Fernandez is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Aria | Arts Music Recording, Rotterdam, Pieter-Jan Belder, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Sonata BWV 31 - Live | Rudolf Lutz, Johann Sebastian Bach, Chor der J. S. Bach-Stiftung, Orchester der J. S. Bach-Stiftung, Ulrike Hofbauer, Alex Potter, Makoto Sakurada, Wolf Matthias Friedrich | G Major | 1 | 9B | 122 BPM | ||
Die Kunst der Fuge, BWV 1080 - Arr. for Chamber Orchestra: 2. Contrapunctus 2 | Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone | D♭ Minor | 3 | 12A | 133 BPM | ||
Sonata in G Minor, No. 5: IV. Vivace | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | F♯ Minor | 2 | 11A | 75 BPM | ||
Concerto In D Major, Op.26, No.6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): V. Giga (Allegro) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F Minor | 0 | 4A | 124 BPM | ||
Musical Offering, BWV 1079: Canone perpetuo | Johann Sebastian Bach, Aurèle Nicolet, Otto Büchner, Fritz Kiskalt, Karl Richter | C Minor | 1 | 5A | 131 BPM | ||
Concerto for Violin and Oboe in C Minor, BWV 1060R: I. Allegro | Johann Sebastian Bach, Dunedin Consort, John Butt, Cecilia Bernardini, Alfredo Bernardini | B♭ Major | 4 | 6B | 129 BPM |
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