Minnesota Orchestra, Edo de Waart's 'Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent' came out on November 8, 1999. The duration of Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "R.Straus - Orchestral Works". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent by Minnesota Orchestra, Edo de Waart having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonic Dances, Op. 45: I. Non allegro | Sergei Rachmaninoff, Minnesota Orchestra, Eiji Oue | A Major | 0 | 11B | 117 BPM | ||
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Requiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): I. Introitus - Requiem æternam | Wolfgang Amadeus Mozart, RIAS Kammerchor, Sophie Karthäuser, René Jacobs, Freiburger Barockorchester | D Minor | 1 | 7A | 90 BPM | ||
Mozart: Le nozze di Figaro, K. 492: Sinfonia | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Riccardo Muti | D Major | 2 | 10B | 154 BPM | ||
Adams: Short Ride in a Fast Machine | John Adams, San Francisco Symphony, Michael Tilson Thomas | E Minor | 6 | 9A | 130 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 4. Finale (The Dargasson): Allegro | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E♭ Minor | 1 | 2A | 100 BPM | ||
Peer Gynt-Suite Nr. 1, Op. 46: II. Ases dod (The Death of Ase) | Edvard Grieg, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk | B Minor | 0 | 10A | 84 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49, MWV 29: I. Molto Allegro agitato | Felix Mendelssohn, Van Baerle Trio | B♭ Major | 1 | 6B | 66 BPM | ||
Symphony No. 9 in D Minor, WAB 109 (Original 1894 Version, Ed. L. Nowak): I. Langsamer - | Anton Bruckner, Minnesota Orchestra, Stanisław Skrowaczewski | B♭ Major | 2 | 6B | 82 BPM |
Section: 0.8061556816101074
End: 0.8103525638580322