"Adams: Short Ride in a Fast Machine" by John Adams, San Francisco Symphony, Michael Tilson Thomas was released on 2010. With this song being about 5 minutes long, at 5:04, "Adams: Short Ride in a Fast Machine" by John Adams, San Francisco Symphony, Michael Tilson Thomas is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 4 in Adams: Harmonielehre & Short Ride in a Fast Machine by John Adams, San Francisco Symphony. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Adams: Short Ride in a Fast Machine's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Adams: Short Ride in a Fast Machine by John Adams, San Francisco Symphony, Michael Tilson Thomas is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
Dvořák: Czech Suite in D Major, Op. 39, B. 93: IV. Romanza | Antonín Dvořák, Czech Philharmonic Orchestra, Libor Pešek | D Major | 0 | 10B | 87 BPM | ||
Fauré: Pelléas et Mélisande, Op. 80: III. Sicilienne (Arr. Robilliard) | Gabriel Fauré, Olivier Latry | E♭ Major | 0 | 5B | 74 BPM | ||
Adams: Lollapalooza | John Adams, Kent Nagano, Hallé | C Minor | 5 | 5A | 94 BPM | ||
Danses for Harp and Orchestra, L.103: Danse sacree et danse profane | Claude Debussy, Osian Ellis, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 0 | 7A | 72 BPM | ||
Symphony No. 1, "Afro-American": III. Humor (Animato) | William Grant Still, Fort Smith Symphony, John Jeter | A♭ Major | 2 | 4B | 127 BPM | ||
Trauermusik | Paul Hindemith, Geraldine Walther, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 88 BPM | ||
The Firebird Suite *: Berceuse / Lullaby | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | B Major | 0 | 1B | 84 BPM | ||
The Planets, Op. 32: I. Mars, The Bringer Of War | Gustav Holst, Philharmonia Orchestra, John Eliot Gardiner | C Major | 4 | 8B | 137 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM |
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