"Mijn hert altijt heeft verlanghen" by Pierre de la Rue, Capilla Flamenca was released on April 13, 2000. With this song being about 5 minutes long, at 4:47, "Mijn hert altijt heeft verlanghen" by Pierre de la Rue, Capilla Flamenca is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 22 in the song's album "Oh Flanders Free: Music of the Flemish Renaissance". In this album, this song's track order is #22. Mijn hert altijt heeft verlanghen is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mijn hert altijt heeft verlanghen by Pierre de la Rue, Capilla Flamenca having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa "Se la face ay pale": I. Kyrie | Guillaume Dufay, Cut Circle, Jesse Rodin | B♭ Major | 2 | 6B | 138 BPM | ||
Antiphona O, beata infantia | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Tereza Havlíková | F Minor | 0 | 4A | 91 BPM | ||
Isorhythmic Motets: O sancte Sebastiane - O martyr Sebastiane - O quam mira | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 1 | 7A | 132 BPM | ||
Lagrime di San Pietro: V. Giovane donna il suo bel volto in specchio | Orlande de Lassus, Gallicantus, Gabriel Crouch | G Minor | 1 | 6A | 66 BPM | ||
Unquiet Thoughts | John Dowland, Grace Davidson, David Miller | G Major | 0 | 9B | 103 BPM | ||
Ein fröhlich wesenth (Arr. J. Obrecht for Voice & Chamber Ensemble) | Heinrich Isaac, Capilla Flamenca | G Minor | 2 | 6A | 129 BPM | ||
Magnificat Tone I: Deposuit potentes - Esurientes implevit bonis | Pierre de la Rue, Viva-Voce, Peter Schubert | E Minor | 1 | 9A | 128 BPM | ||
Ja nus hons pris | Richard I of England, James Bowman, Early Music Consort Of London, David Munrow | D Minor | 0 | 7A | 80 BPM | ||
Missa super Benedicta es: Agnus Dei | Adrian Willaert, Capilla Flamenca, Patrick Denecker | C Major | 1 | 8B | 78 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM |
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