"Gabrieli, G: Sacrae symphoniae, Liber I: No. 31, Canzon noni toni, C. 173" by Giovanni Gabrieli, Michel Corboz, Orquestra Gulbenkian was released on January 6, 2023. The duration of Gabrieli, G: Sacrae symphoniae, Liber I: No. 31, Canzon noni toni, C. 173 is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Gabrieli, G: Sacrae symphoniae, Liber I: No. 31, Canzon noni toni, C. 173's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giovanni Gabrieli, Michel Corboz's "Gabrieli: Sacrae symphoniae" album is number 5 out of 27. On top of that, France appears to be the country where this track was created. Gabrieli, G: Sacrae symphoniae, Liber I: No. 31, Canzon noni toni, C. 173 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gabrieli, G: Sacrae symphoniae, Liber I: No. 31, Canzon noni toni, C. 173 by Giovanni Gabrieli, Michel Corboz, Orquestra Gulbenkian to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzoni et sonate (arr. E. Crees for brass): Canzon VII | Giovanni Gabrieli, Eric Crees, London Symphony Brass | G Major | 0 | 9B | 87 BPM | ||
The King of Denmarks Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork | E♭ Major | 1 | 5B | 120 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 2. Requiem aeternam | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Peter Van Heyghen | A Major | 0 | 11B | 87 BPM | ||
Tantum ergo, WAB 42 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | A Major | 2 | 11B | 135 BPM | ||
Sacrae symphoniae (arr. T. Higgins for brass ensemble): Buccinate in Neomenia | Giovanni Gabrieli, Timothy Higgins, National Brass Ensemble, Yasuhito Sugiyama | C Major | 1 | 8B | 87 BPM | ||
Elf Choralvorspiele, Op. 122: Nr. 6 O wie selig seid ihr doch, ihr Frommen | Johannes Brahms, Anders Eidsten Dahl | D Minor | 0 | 7A | 73 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: V. Benedictus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 88 BPM | ||
Petite messe solennelle: XI. Credo. Credo in unum Deum | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
Canzoni et sonate: Sonata No. 13 (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | G Minor | 0 | 6A | 97 BPM | ||
Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM |
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